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Remnants of Flannery

...O'Connor as animal] uses a couple of notable elements of O'Connor's appearance (Those glasses! Those pearls!) to tell a very different story."5Ibid. Hatfield herself has previously made a portrait of...

The Change

...make camp at Qualla Boundary and the Oconaluftee would be free of tourists and filled with snow and those of us who held out forever and had no...

Seneca Quarry

...quarry during the construction of the Smithsonian Castle. While overt evidence confirming that slave labor was used (such as a contract between a slave owner and a contractor to lease...

Southern Spaces Recommends, October 2020

...in Georgia, which is available to watch for free. https://vimeo.com/470999167 Trailer for Suppressed: The Fight to Vote, July 23, 2019. Trailer by Brave New Films. Courtesy of Brave New Films....

Lynching and Local History: A Review of Troubled Ground

Review Rowan County Court House and Jail, Salisbury, North Carolina, circa 1905-1915. Courtesy of the Durwood Barbour Collection of North Carolina Postcards, North Carolina Collection, University of North Carolina at...

A Trumped-Up Dixie: White Southern Republicans and Immigration Reform

...Rally, Freedom Plaza, Pennsylvania Avenue, Washington, DC, July 9, 2015. Photograph by Flickr user Elvert Barnes. Creative Commons license CC BY-SA 2.0. As Donald Trump continues to demonize all undocumented...

Placeholder: Carolina Poems of Love and Labor

Readings Allison Hedge Coke reads her poem "The Change." Poem text. Allison Hedge Coke reads her poem "Off Season." Poem text. Allison Hedge Coke reads her poem "Packin' Four Corner Nabs." Poem text....

The Civil War and Emancipation 150 Years On

...better this time. And they are. While it is easy to find people to spout the old Confederate party lines (largely because they tend to cluster together in obvious places,...

Lyrics to Pretty Saro

...and this I understand She wants a freeholder and I've got no land But I could maintain her on silver and gold And as many of the fine things as...

Mapping the "Big Minutes": Visualizing Sacred Harp's Geographic Coalescence and Expansion, 1995–2014

...and the "Song Use in The Sacred Harp" statistics page on Fasola.org draw on the availability of the minutes in digital form to enable analysis of song use and leader...

References
1.	George Pullen Jackson, White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs, Singings, and "Buckwheat Notes" (Chapel Hill: University of North Carolina Press, 1933); Buell E. Cobb, The Sacred Harp: A Tradition and Its Music (Athens: University of Georgia Press, 1989); David Warren Steel, The Makers of the Sacred Harp (Champaign: University of Illinois Press, 2010).
2.	John Bealle, Public Worship, Private Faith: Sacred Harp and American Folksong (Athens: University of Georgia Press, 1997); Kiri Miller, Traveling Home: Sacred Harp Singing and American Pluralism (Champaign: University of Illinois Press, 2008).
3.	Jesse P. Karlsberg, "Folklore's Filter: Race, Place, and Sacred Harp Singing" (Ph.D. dissertation, Emory University, 2015), http://pid.emory.edu/ark:/25593/pgtds; Ellen Lueck, "Sacred Harp Singing in Europe: Its Pathways, Spaces, and Meanings" (Ph.D. dissertation, Wesleyan University, 2016).
4.	For examples and analysis of Sacred Harp singers' negotiation of the "old-fogy" label, see George Pullen Jackson, The Story of The Sacred Harp, 1844–1944: A Book of Religious Folk Song as an American Institution (Nashville, TN: Vanderbilt University Press, 1944); Hugh W. McGraw, "'There Are More Singings Now Than Ever Before': Hugh McGraw Addresses the Harpeth Valley Singers," Sacred Harp Publishing Company Newsletter 2, no. 3 (December 31, 2013), http://originalsacredharp.com/2013/12/31/there-are-more-singings-now-than-ever-before-hugh-mcgraw-addresses-the-harpeth-valley-singers; Karlsberg, "Folklore's Filter," 105–12.
5.	Editors of today's "Big Minutes" repeat the received history that the book originated as the minutes pamphlet of the Alabama State Sacred Harp Musical Convention, based in Birmingham, Alabama. However, minutes pamphlets in the collections of Winston County, Alabama, singers Roma Rice and Margaret Keeton, and the Carrolton, Georgia, Sacred Harp Museum, suggest that this Winston County-centered publication was the precursor to today’s “Big Minutes”; continuities in printer, editor, and singings between a set of 1930s and early 1940s minutes pamphlets for a group of singing conventions centered in Winston County, Alabama, and pamphlets published beginning in 1945 titled Minutes of the Alabama-Tennessee Sacred Harp Singing Conventions, and, after 1954, titled Minutes: Alabama, Mississippi and Tennessee Sacred Harp Singings, indicate a shared lineage.
6.	To access this database or order a print copy of the contemporary "Big Minutes," see Judy Caudle, et al., eds., "Minutes and Directory of Sacred Harp Singings," Fasola.org, http://fasola.org/minutes/.
7.	On the FaSoLa Minutes app, see Clarissa Fetrow, "There's an App for That: A Review of the 'FaSoLa Minutes' App," Sacred Harp Publishing Company Newsletter 3, no. 2 (November 12, 2014), http://originalsacredharp.com/2014/11/12/theres-an-app-for-that-a-review-of-the-fasola-minutes-app/.
8.	Mark T. Godfrey created this dataset for the FaSoLa Minutes app and with Jesse P. Karlsberg supported Robert A. W. Dunn's research augmenting the data with precise locations. Godfrey's original dataset features enhancements to the SHMHA data and excludes 740 singings using other Sacred Harp editions and related shape-note books. These singings were initially excluded to ensure that page numbers included in the minutes reliably indexed specific songs in The Sacred Harp. The exclusions also improve the representativeness of the minutes, which feature nearly all annual singings from The Sacred Harp: 1991 Edition, but relatively few singings from other tunebooks, which typically disseminate their minutes through other publications.
9.	Most secretaries include the names of buildings where singings are held, but others give names of larger institutions or campuses with multiple potential venues. A handful of singing minutes feature no specific location, instead providing just a city or town and county. Other minutes include a city or town but no county, or a county but no municipality.
10.	On the social context of the increasing number of singings from the 1991 Edition in Texas since the 1990s, see Karlsberg, "Folklore's Filter," 118–24.
11.	The South Georgia Convention, a network of a dozen singings from the 1991 Edition centered around Macon and extending south to Cordele, Georgia, continues to publish an annual minutes pamphlet, even as its sponsored singings increasingly submit minutes to the "Big Minutes."
12.	For more on this process and a collection of research drawing on the expanding Sacred Harp minutes database, see "Sacred Harp Minutes: Querying Sacred Harp's Sonic Past through the Minutes of Sacred Harp Singings, 1945–2016," 2017, http://fasolaminutes.org/.

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