St. Augustine's "Slave Market": A Visual History
...entice curious northerners and reassure anxious southerners. Postcards from other cities similarly promoted their slave markets as tourist attractions, often with as conflicting historical and imaginary meanings as those of...
Stand & Witness: Art in the Time of COVID-19
...and the CDC COVID-19 response. Additional support provided by the Consulate General of Canada to the U.S. Southeast. The Stand & Witness exhibition ran from June 17–October 25, 2024 at...
Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida
...at the mouth, Bayboro Harbor, just south of the city's previously moribund but now skyrocketing downtown. As one journeys southwest, going upstream, the creek services a working port (properties now...
Unearthing the Weeping Time: Savannah's Ten Broeck Race Course and 1859 Slave Sale
...southern historical memory. Immediately after the Civil War, southern whites assuaged their defeat by claiming and dominating not only public spaces with monuments to the Confederacy, but utilized history departments...
Telling the Raymond Andrews Story: The Making of Somebody Else, Somewhere Else
...Life and Death Raymond Andrews during the Korean War, still from Somebody Else, Somewhere Else, 2010. Raymond Andrews was a personable, talented man who embodied so much of the cultural...
Six Degrees of Alan Lomax: A Review and Multimedia Excerpts
...in north Louisiana and in Pointe Coupee Parish in 1934, the collection featured here represents only the materials from south-central and southwestern Louisiana—the southern rim of the state. Although the...
Dancing Around the "Glaring Light of Television": Black Teen Dance Shows in the South
...the North. Historian Brett Gadsden describes Delaware as "a provincial hybrid, one in which ostensibly southern and northern modes of race relations operated."30Brett Gadsden, Between North and South: Delaware, Desegregation,...
Making Lumbeeland: An Interview with Malinda Maynor Lowery
Southern Spaces: Malinda, tell us about your film Lumbeeland. Why and how did you come to work on this project? Malinda Maynor Lowery: Lumbeeland is a twenty-nine minute short narrative,...
Confederates in Mexico: Lost Cause or New South Vanguard?
...chapter of The Southern Exodus to Mexico makes a more convincing case that southern emigration to Mexico was a harbinger of a "New South" where white leaders embraced industry, finance,...
Cruising Grounds: Seeking Sex and Claiming Place in Houston, 1960–1980
...at the time of the Stonewall Riots. Number of queer businesses listed in Houston, 1941–2015. Dataset by Brian Riedel, 2015. Line graph by William Robert Billups, 2020. Courtesy of Southern...