The Joneses: Home Made in Mississippi
...ever since. The Joneses promotional poster. Bunny Lake Films LLC, 2016. The documentary project spun out of my first book, Men Like That: A Southern Queer History, which began as...
New Pasts: Historicizing Immigration, Race, and Place in the South
...black oppression. Across the US South, immigrant-advocacy groups borrow heavily, sometimes directly, from a civil rights playbook, mapping the 2003 Immigrant Workers Freedom Ride onto the original Freedom Ride and...
Mississippi: State of Confession
...Movement in American Memory (Athens: University of Georgia Press, 2006). Chroniclers of the black freedom struggle have long sought to dispel the collective memory that undergirds what local state officials...
Counterblast: How the Atlanta Temple Bombing Strengthened the Civil Rights Cause
...as forty anti-Semitic groups operating in the South at the time of the black freedom struggle. Some of these organizations promoted their cause exclusively through propaganda. Others took more direct...
Music and Mobility on the Streets of New Orleans: A Review of Roll with It
...and Spanish colonialism. The Tremé developed around Congo Square as one of the first neighborhoods of free people of color in the United States in the late eighteenth century.1For more...
Reckoning with Enslavement
...uncovering the lawsuits they had brought against the Jesuits and other prominent Maryland slaveholders long before the 1838 sale. Some won their freedom. Others didn't—but each of their cases challenged...
Starlit Screens: Preserving Place and Public at Drive-In Theaters
...a growing interest not just in maintaining existing theaters, but in constructing new ones.7"Drive-in Theater Search," Drive-ins.com, http://drive-ins.com/srchdest.htm?name=&city=&code=al&status_op=open&search.x=13&search.y=12. Six of Alabama's ten drive-ins opened since 1996.8Calvin R. Trice, "Couple seek...
Navigating Jim Crow: A Review of Adolph L. Reed's The South: Jim Crow and Its Afterlives
...indignation." 3Reed, 13. The pervasive but varying conditions of white supremacy meant that the places where Black people could be their own free selves, away from everyday racial dangers and...
"I Used That Katrina Water To Master My Flow": Rap Performance, Disaster, and Recovery in New Orleans
..."Cultural Appropriation Is a Bigger Problem than Miley Cyrus," Thought Catalog, August 26, 2013, http://thoughtcatalog.com/nico-lang/2013/08/cultural-appropriation-is-a-bigger-problem-than-miley-cyrus/. For Big Freedia's response to Miley Cyrus, see Jason Newman, "Bounce Queen Big Freedia Slams...
Six Degrees of Alan Lomax: A Review and Multimedia Excerpts
...and sing in the words of the old Negro spiritual: ‘Free at last! Free at last! Thank God Almighty, we are free at last!'" (1992, 105–6). As most commentary on...