Southern Spaces on Hurricane Katrina
...Gulfport, Mississippi, 2005." Southern Spaces, September 1, 2008, https://southernspaces.org/2008/barge-washed-ashore-after-hurricane-katrina-gulfport-mississippi-2005. Moye, Dorothy. "Katrina + 5: An X-Code Exhibition." Southern Spaces, August 26, 2010, https://southernspaces.org/2010/katrina-5-x-code-exhibition. ———. "The X-Codes: A Post-Katrina Postscript." Southern...
A Turning Point for Richmond: The Virginia Historical Society's Civil War Exhibition
..."Field Notes: Journey to Freedom," December 10, 2010 (https://vahistorical.wordpress.com/2010/12/10/field-notes-journey-to-freedom/). The VHS opened the blog to public comment but it has drawn few outside contributions. Virginia Historical Society, Who Freed the...
The Other Side of Paradise: Glimpsing Slavery in the University's Utopian Landscapes
...status of the academic earthly paradise is especially pronounced one mile from campus in the Oxford Historic Cemetery. Here are buried hundreds of persons, slave and free, closely connected with...
Putting the Vernacular in Modernism: A Review of Edward Comentale's Sweet Air
...Troutman, Indian Blues: American Indians and the Politics of Music, 1879–1934 (Norman: University of Oklahoma Press, 2012); Barry Mazor, Meeting Jimmie Rodgers: How America's Original Roots Music Hero Changed the...
Readership Reports and the Benefits of Open Access Publishing
...access journal, Southern Spaces is committed to supporting our authors in communicating the value of their publications to tenure and promotion committees. Members of such committees may not have experience...
Scales of Slavery on the Mason-Dixon Line: A Review of Gleanings of Freedom
Review Max Grivno's subtle and remarkably textured history of labor in northern Maryland and southern Pennsylvania, Gleanings of Freedom: Free and Slave Labor along the Mason Dixon Line, 1790–1860, details...
Reframing Resistance: A Review of Freedom Now!
...photographs. No image became more iconic, no place more marked by photographs than Birmingham in the days of Bull Connor's hoses and dogs. Martin A. Berger's fine book, Freedom Now! Forgotten...
Prop Master at Charleston's Gibbes Museum of Art
...The shape of Juan Logan and Susan Harbage Page's installation mirrors that of the gallery in order to comment on how culture — rituals, codes, manners, and customs — is...
Revisiting Flaherty's Louisiana Story
...for the centrality of performance to documentary generally, and not, as Nichols has characterized it, as a recent or "post-modern" development.22Bill Nichols, Blurred Boundaries (Indianapolis: Indiana University Press, 1995): 92-106. To be...
How I Shed My Skin
Presentation and Review Civil rights narratives often empower and embolden, promoting faith in possibilities, hope for rectifying inequities. More sober assessments show that, though we've come a long way—thanks to...