Going South, Coming North: Migration and Union Organizing in Morristown, Tennessee
...immigration. In 1991, when the earliest footage was shot, most east Tennessee residents were not aware of the growing numbers of Latino immigrants. But some of the women on the...
Toxic Knowledge: A Review of Baptized in PCBs
...a training site near Anniston. By the early 1960s, the Army's entire Chemical-Biological-Radiological Corps Command was moved to Anniston, and the site also became home to a chemical weapons storage...
Race, Capitalism, and the Rise and Fall of Black Beach Communities
...coast, and across the Gulf of Mexico from Mississippi to New Orleans. Blacks regarded these communities as vital sites of leisure, relief from wage labor, business opportunities, and—even if too...
Starlit Screens: Preserving Place and Public at Drive-In Theaters
...of darkened cars.5"Drive-in theater," Wikipedia; "Interactive Statistics," Drive-ins.com, http://www.drive-ins.com/stats.htm. The drive-in's popularity was short-lived. By the 1960s, their numbers began to decline. In the 1970s, many fell victim to suburbanization....
Visions for Sustainable Agriculture in Cuba and the United States: Changing Minds and Models through Exchange
...show's website: "While many islands in the Caribbean have poisoned or paved over their ecological riches on land and in the sea in pursuit of a growing tourist industry, Cuba's...
James Holland, Riverkeeper: Environmental Protection along the Altamaha
...to take, returning the rest to forage through the delta mud. The numbers in the coolers spoke: they were falling, 300 pounds, 225, 175. Every year they fell—he remembers 1,500...
Trying the Dark: Mammoth Cave and the Racial Imagination, 1839–1869
...is a cultural production, a site whose significance lies in the multilayered interactions of tourists, tour providers, scientists and other visitors, and the body of cultural works about the cave...
Unhappy Trails in the Big Easy: Public Spaces and a Square Called Congo
...than the site where a new theater for the performing arts was poised to arise. That kind of racial condescension never set well with Armstrong, who couldn't find lodging in...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...
Jim Crow Journeys: An Excerpt from Traveling Black
...of a number of nineteenth-century railroads whose proprietors wished to emphasize that their routes were more direct than those of competing roads. Black travelers described it in a discrimination complaint...