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Back to the Future: Mapping Workers Across the Global South

...in 2006. For a detailed study, see Minnesota Advocates for Human Rights, "Domestic Violence in Uzbekistan," December 2000. Available at: http://www.mnadvocates.org/uploads/Uzbekreport.pdf [accessed 3–26–10]. The Uzbek government maintains no official statistics...

The Mobility of Faith: Cross Sections of Haitian Religion in Miami

Review In Crossing the Water and Keeping the Faith, sociologists Terry Rey and Alex Stepick map the vibrant diasporic religious cultures of Miami, the site of the largest Haitian-descended population...

Gordon Parks at Atlanta's High Museum of Art

...2015, http://www.pbs.org/independentlens/blog/thomas-harris-goes-lens-darkly. Department Store, Mobile, Alabama, 1956. Photograph 37.011 by Gordon Parks. Courtesy of and copyright by The Gordon Parks Foundation. Parks mastered creative expression in several artistic...

Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida

...a classroom model. I founded a fictional group, "Friends of Salt Creek," built a website, and started exploring with my students.2For a timeline see Friends of Salt Creek, Accessed April...

Visions for Sustainable Agriculture in Cuba and the United States: Changing Minds and Models through Exchange

Neither Eden nor Wasteland Ninety miles south of Florida lies the island that PBS's Nature calls the "Accidental Eden."1"Cuba: Accidental Eden," Nature, PBS (September 26, 2010), http://www.pbs.org/wnet/nature/episodes/cuba-the-accidental-eden/introduction/5728/. According to the...

The Black Belt

...https://www.loc.gov/resource/stereo.1s02973/ Six generations of African American women in Selma, Alabama, ca. 1893. Photograph by R.W. Harrison. Courtesy of the Library of Congress Prints and Photographs Division, https://www.loc.gov/resource/cph.3c04928/ Pro-slavery secessionist sentiment...

Stormy Banks and Sweet Rivers: A Sacred Harp Geography

...of dating and place of publication, see Metcalf, 89-97; Lowens and Britton, 115-37; Bealle 269, n. 1). This compilation of primarily American music incorporated shape-notes, or patent-notes, for the first...

The Liminal Site

...the start, and quite unavoidably (given the glory of the site), I imagined my garden as site-speciﬁc art, a celebration of both place and space. What I wanted—my wife, far...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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