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The Same Language: A Memoir by Ben Duncan

Video...

Heaven

...together. Everyone we ever loved, and lost, and must remember. It will be the past. And it will last forever. Published in Boy (Athens: University of Georgia Press, 2008)....

James Holland, Riverkeeper: Environmental Protection along the Altamaha

...to take, returning the rest to forage through the delta mud. The numbers in the coolers spoke: they were falling, 300 pounds, 225, 175. Every year they fell—he remembers 1,500...

The Bulletin—February 11, 2013

..."is both a reminder of the city’s revival after Hurricane Katrina, and the suffering and loss that happened under its roof during and after the storm," the outage brought to...

Three AM and the Stars Were Out

When the phone rings way too late for good news, just another farmer wanting me to lose half a night's sleep and drive some backcountry wash-out for miles, fix what...

Atlanta’s Tumultuous Fifties Fifty Years Later

Video Part 2: Dr. Crimmins discusses the Lane Brothers photograph collection, highlighting Atlanta's physical and cultural landscapes Part 3: Dr. Holmes examines how voter registration and Atlanta politics play into...

Insistent Traces

Readings https://vimeo.com/134755182 Claudia Emerson reads the untitled opening from Pinion: An Elegy. View poem text here. https://vimeo.com/134755765 Claudia Emerson reads the poem "Rent." View poem text here. https://vimeo.com/134756419 Claudia Emerson...

Theories of Time and Space

...on Mississippi 49, one- by-one mile markers ticking off another minute of your life. Follow this to its natural conclusion—dead end at the coast, the pier at Gulfport where riggings...

New Adventures in Tandem Ethnography

...into the real world; see Malinowski's seminal work, Argonauts of the Western Pacific [London: George Routledge and Sons, 1932]), fieldnotes have become material markers of doing ethnography. Fieldnotes are made...

References
1.	The blog post starts with the voice of Emma, since we were having a hard time beginning in a plural voice. Also, his voice has previously appeared on the Southern Spaces blog.
2.	For instance, the ideologies that promote a romantic Cajun nationalism where everyone speaks perfect Louisiana French and, I guess, traps nutria for a living.
3.	Twenty-something creative types, generally seen wearing thick-framed glasses.
4.	We being, for the rest of this post, Lindsey and Emma.
5.	We conceive of the concept of "fieldnotes" as an archetypal form. Fieldnotes are, for anthropologists intent on following tradition, the symbols of professional identity and ethnographic authority. From the time of Bronislaw Malinowski, the father of modern anthropological fieldwork (i.e., getting out of the armchair and into the real world; see Malinowski's seminal work, Argonauts of the Western Pacific [London: George Routledge and Sons, 1932]), fieldnotes have become material markers of doing ethnography. Fieldnotes are made up of daily logs, filled with short conversations or encounters, and some proto-analysis of what was seen. Fieldnotes are also the site of thick description, which is the act of writing down, through a hyper-awareness of the place the researcher is temporarily occupying, the seemingly minute details of everyday life. This is important because, as Clifford Geertz—the first to practice and name thick description—explains, we may not notice the difference between a wink or a twitch without the context that surrounds it. See Geertz, The Interpretation of Cultures (New York: Basic Books, 1973), 6.
6.	Actually, by junk we mean a more or less complete material history of labor, culture, and religion in Chauvin in the "long" twentieth century. He began with a family tree project that quickly became a collection of family photos, which began to amass heirlooms, furniture, machinery, and local publications dating back to the 1860s and encompassing much more than his own genealogy.
7.	Apparently, 2013 will be remembered as "the year grad students descended upon south Louisiana to work their ethnographies."

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