Wild Notes: A Review of Dawoud Bey’s Elegy
...work, the large-scale landscape photography featured in Elegy asks viewers to see, and hear, the haunting presence of slavery projected against the landscape without the anchoring presence of Black bodies...
A City Divided
...(though obviously these codes could and were violated).9On racial social codes, see Leon Litwack, Trouble in Mind: Black Southerners in the Age of Jim Crow (New York: Knopf, 1998). Perhaps the mixed-race, mixed...
Reuse, Author Choice, and the Open Access Spectrum: New Creative Commons Licenses for Southern Spaces Authors
...derivative works, such as those "consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship."1"17 US Code, Chapter 1, Section 101–Definitions,"...
Revisiting Flaherty's Louisiana Story
...was to characterize Flaherty's work. New History of Documentary Film (NY: Continuum, 2008). In order to create the narrative frame central to his documentary mode, and to celebrate the exotic landscape he...
St. Augustine's "Slave Market": A Visual History
...years of planning and a 2009 amendment to a City Code that barred new monuments in the plaza celebrating historical events occurring after 1821.16David Nolan, interview with the author, March...
Confederates in Mexico: Lost Cause or New South Vanguard?
...to a "hemispheric south" where planters and railroad promoters envisioned business and trade networks across the Mexican borderlands and into Latin America during the last third of the nineteenth century...
The Web of Cis-Atlantic History: A Review of Louisiana: Crossroads of the Atlantic World
...the various iterations of Lousiana's colonial slave codes, analyzing in rich, often imaginative detail, the aspirations and anxieties of authorities who attempted to construct and maintain categories of difference within...
Southern Spaces on Hurricane Katrina
...Gulfport, Mississippi, 2005." Southern Spaces, September 1, 2008, https://southernspaces.org/2008/barge-washed-ashore-after-hurricane-katrina-gulfport-mississippi-2005. Moye, Dorothy. "Katrina + 5: An X-Code Exhibition." Southern Spaces, August 26, 2010, https://southernspaces.org/2010/katrina-5-x-code-exhibition. ———. "The X-Codes: A Post-Katrina Postscript." Southern...
Diversity and Its Discontents: A Review of Behind the White Picket Fence
...inequality. This ideology allows white residents to celebrate progressiveness while failing to promote meaningful inclusion. Creekridge Park Demographics. Map by George Mayorga. From Behind the White Picket Fence: Power and Privilege in...
Brushes with War
...Overland Trail, where he rapidly became the foremost landscape painter of the American West. Is Harvey, a scholar of American landscape art, simply imposing her specialty on a captive audience,...