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Toxic Knowledge: A Review of Baptized in PCBs

...a training site near Anniston. By the early 1960s, the Army's entire Chemical-Biological-Radiological Corps Command was moved to Anniston, and the site also became home to a chemical weapons storage...

Dirty Decade: Rap Music and the US South, 1997–2007

...post-apocalyptic industrial landscape. In many of these scenes,the members of Goodie Mob are joined by others, forming a multigenerational portrait of friends, colleagues, and family. These images of all-black social...

Ethnic Cleansing and the Trail of Tears: Cherokee Pasts, Places, and Identities

Review Whenever the concepts of diaspora and indigeneity come together, scholars tend to ascribe oppositional power to them. Diaspora implies transnational if not global movement, displacement, and attenuation while indigeneity...

Alabama Jack's, Key Largo, Florida, 2009

Starlit Screens: Preserving Place and Public at Drive-In Theaters

...theaters. In addition to technical requirements and internal spatial organization, Hollingshead's theater set a precedent for geographic location. Like the Automobile Movie Theater, located just outside Camden and just over...

Wherein the South Differs from the North: Naming Persons, Naming Places, and the Need for Visionary Geographies

Essay No Southerner by origin, Gertrude Stein was born in Allegheny, Pennsylvania. "As I am an ardent Californian," she has Alice B. Toklas say in The Autobiography, "and as she...

Longleaf, Far as the Eye Can See: A New Vision of North America's Richest Forest

...ignited by lightning and ammunition are allowed to burn and contribute to the natural reproductive cycle of the forest. Longleaf also features the stories of individuals and organizations striving to...

Nannie's Stone: Appendices by Mark Auslander and Lisa Fager

...addition to the father of Francis Tinney, the 1850 Federal census lists several initially plausible candidates in the District of Columbia and Maryland for "William Teney," some or all of...

Authorship in Africana Studies

...and to draw some parallels with 1980s black women artists is also to acknowledge–at best–indifference, alongside a lack of infrastructural support, issues of skills and knowledge gaps, and a commensurate...

References
1.	See Giovanna Covi, "Oroonoko's Genderization and Creolization: Joan Anim-Addo's Imoinda," in Revisiting and Reinterpreting Aphra Behn: Proceedings of the Aphra Behn Europe Seminar ESSE Conference (Entrevaux, France: Bilingua GA Editions, 2002), 83–92.
2.	Lubaina Himid, "Fragments: An Exploration of Everyday Black Creativity and its Relationship to Political Change," Feminist Arts News Vol. 2, no. 8 (1988): 8.
3.	Serena Guarracino, "Imoinda's Performing Bodies: An Interview with Joan Anim-Addo," in I am Black/White/Yellow: An Introduction to the Black Body in Europe, eds. Joan Anim-Addo and Suzanne Scafe (Londong: Mango Publishing, 2007): 212–223.
4.	See Giovanna Covi, Modernist Women Race Nation: Networking Women 1890–1950: Circum-Atlantic Connections (London: Mango Publishing, 2005).
5.	Guarracino, "Imoinda's Performing Bodies" 212–223.
6.	Guarracino, "Imoinda's Performing Bodies," 212–223.
7.	Lisa Marchi, "The Transformative Potential of Imoinda: An Interview with Joan Anim-Addo," Synthesis 7 (2015):154–163. http://synthesis.enl.uoa.gr/perspectives-from-the-radical-other-7-2015.html.
8.	Opal Moore, "Artist's Statement," in Children of Middle Passage, Arturo Lindsay and Opal Moore, eds. (Lindsay and Moore, 2006)
9.	The deep connections between especially the most elite American universities and slavery is becoming ever more clear. Brown University, the College of William and Mary, Harvard University, Emory University, the University of Maryland, the University of North Carolina at Chapel Hill, the University of Virginia, Yale University, and Columbia University, among many others, either held slaves directly, utilized slave labor in the building of their campuses, traded slaves as commodities, greatly supported the work of slavery apologists (and later apologists for colonization and segregation), or more likely some rich combination of all these things. The main campus of Johns Hopkins University is built on the former Homewood Plantation. Tours through the still standing main house are a regular part of campus life. For more on this matter see, Craig Steven Wilder, Ebony and Ivy: Race, Slavery, and the Troubled History of America's Universities (New York: Bloomsbury Press, 2013).
10.	Sylvia Wynter, "The Ceremony Must be Found: After Humanism," boundary 2 vol. 12, no. 3 – vol 13, no. 1 (Spring–Autumn, 1984): 47.
11.	Wynter, "The Ceremony," 49.

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