Category 3 Gentrification: On New Orleans's Population Trends and the Hostility of Internet Commenters
...New Orleans for his vegetarian wife (who loves it there!), housed FEMA workers for free in October 2005, lives Uptown, and considers himself well versed in history. 12ward's hostility312ward's language...
Open Access Week: The HathiTrust Ruling and Fair Use
...in effective copyright protection, fair contracts and free expression." The Authors Guild's suit alleged that the massive digitization and preservation effort undertaken by the HathiTrust and its affiliates represented a...
Still under the Influence: The Bioregional Origins of the Hub City Writers Project
...about "re-viewing memory, internalized perception, blocks of inner energies, dreams, the leaf-fall of day-to-day consciousness." This activity "liberates the energy of our own sense-detritus."6Ibid., 174. Cover of Earth House Hold...
The Bulletin—June 19, 2013
...will double the size of the collections and will provide increased access to HathiTrust's nearly eleven million volumes. In addition, HathiTrust metadata records will be freely available under a Creative Commons license....
Opening Spaces: On Tolerance and the Possibility for Love
...Lost in attempts to locate and label sexuality, thereby freeing people from their uncomfortable closets, many are unaware of stories like these, in which LGBTQ people led open lives in...
Southern Labor Studies Association Collaboration
...broad range of southern labor themes, including panels related to slavery and unfree labor; prisons and labor; oil, fishing, and the Gulf Coast; work and disaster capitalism; tourism and the...
Music, Race, and Representation Post-Katrina: A Review of New Orleans Suite: Music and Culture in Transition
...freeway, Claiborne Avenue. New Orleans, Louisiana, 2006. Photograph by Lewis Watts. Courtesy of Lewis Watts. Throughout New Orleans Suite, the authors also use specific albums to launch and frame their...
Hillbilly Records, Zulu Yodels, and the Sounds of a Global South
Presentation Part 2: Nunn discusses how Rodgers’ music was appropriated and recontextualized in South Africa and Kenya in the 1930’s and 1940’s Part 3: Erich Nunn, Selected questions and answers About the...
Work
Poem This poem was filmed at the Glencoe Mill in Glencoe, North Carolina in Fall 2005 by Chris Simms and Tom Rankin from the Center for Documentary Studies at Duke...
Chattahoochee (excerpt)
...hung, turning all afternoon on the breeze. My rod bends towards breaking, then straightens as the fish darts free through the sunken junkyard that grows by the weight of one...