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Stones and Shadows

1. Visiting the Stone The air in the car is thick and still. My father makes a right turn through the cemetery gates, giving me a significant look. I don't...

Georgia Postcard

I. Atlanta The black men are fine and abundant at the airport. The women have spent many hours on their hair. II. Sixty-Five MPH All-u-can eat, boiled shrimp, fried fish....

You Can't Eat Coal, and Other Lessons from Appalachian Women's History

...accessed March 8, 2017, https://www.nytimes.com/2016/09/11/opinion/sunday/we-need-somebody-spectacular-views-from-trump-country.html; John Saward, "Welcome to Trump County, USA," Vanity Fair, February 24, 2016, accessed March 8, 2017, http://www.vanityfair.com/news/2016/02/donald-trump-supporters-west-virginia; Larissa MacFarquhar, "In the Heart of Trump Country,"...

Quilting Conversation

...Corporation, and the Hartsfield-Jackson International Airport). She is a teaching artist affiliated with the High Museum, VSA arts of Georgia, the Atlanta Partnership for the Arts in Learning, and the...

Flatlands in the Outlands: Photographs from the Delta and Bayou

...lost. The sacred songs and sacraments performed by Mt. Tinna members in 1990 may no longer take place in 2010, but Rankin’s photographs, with their air of solemnity and reverence,...

Inside Poor Monkey's

...global landscape. Poor Monkey’s Lounge has been featured as a cover photograph of the Oxford American, a two-page spread in Annie Leibovitz’s American Music, photos in Vanity Fair and Esquire...

Routes of Reconciliation: Visiting Sites of Cultural Trauma in the US South, Northern Ireland, and South Africa

...emotion at the Cape Town Airport as we headed home. South African Dennis Swarz told us to nurture those "ordinary moments when extraordinary things can happen," including sporting events and...

Reuse, Author Choice, and the Open Access Spectrum: New Creative Commons Licenses for Southern Spaces Authors

...PLOS's criteria for gauging where a publication lies on the open access spectrum are "reuse" and "copyright." For PLOS, "closed access" means "no reuse rights beyond fair use/limitations and exceptions...

References
1.	"17 US Code, Chapter 1, Section 101–Definitions," Legal Information Institute, Cornell University Law School, accessed February 10, 2014, http://www.law.cornell.edu/uscode/text/17/101.
2.	Bethany Nowiskie, "Why, Oh Why, CC-BY?" nowviskie.org, May 11, 2011, accessed February 10, 2014, http://nowviskie.org/2011/why-oh-why-cc-by/.
3.	At present, there have been no studies on the effects of Creative Commons licensing on future use of scholarship. However, scholars such as informatics professor Dr. Mathias Klang have reported that their Creative Commons–-licensed work has gained more exposure than other publications. See Mathias Klang, "The Advantages of Creative Commons in Academia," SpotOn, October 17, 2012, accessed February 18, 2014, http://www.nature.com/spoton/2012/10/the-advantages-of-creative-commons-in-academia/.
4.	For more on attribution and US as well as European copyright law, see Christopher Jon Springman, Christopher J. Buccafusco, and Zachary C. Burns, "What's a Name Worth?: Experimental Tests of the Value of Attribution in Intellectual Property," Boston University Law Review 93 (2013): 101–147, http://scholarship.kentlaw.iit.edu/cgi/viewcontent.cgi?article=1732&context=fac_schol.
5.	New citation analysis tools such as Google Scholar cast an unprecedentedly wide net in identifying sources in which to search for citations, perhaps making requiring attribution—already assumed in traditional scholarly publishing—more consequential. On the use of citation counts and related metrics in tenure and promotion decision-making, see, for example, Henk F. Moed, Citation Analysis in Research Evaluation (Dordrecht, The Netherlands: Springer, 2005). The merits of favoring citation counts in tenure and promotion decisions have long been debated, sometimes charmingly so, as in Eugene Garfield, "Citation Frequency as a Measure of Research Activity and Performance," in Essays of an Information Scientist, ed. Eugene Garfield (Philadelphia: ISI Press, 1977), 406–408.
6.	"HowOpenIsIt?: Open Access Spectrum (OAS)," Public Library of Science, 2013, accessed February 3, 2014, http://www.plos.org/open-access/howopenisit/.

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