An Absence I Know I Won't Reclaim
...Mississippi John Hurt." Poem text. Rodney Jones reads the poem "Sweep." Poem text. In this interview at the 2009 Association of Writers and Writing Programs (AWP) Conference in Chicago, Illinois, Rodney...
Eggleston's South: "Always in Color"
...had no way to make a good, archival quality print in color. On a trip to Chicago in the early 1970s, Eggleston discovered the process while reading a photography lab...
How I Shed My Skin
...Front: Japanese Americans in the House of Jim Crow (2008) and Men Like That: A Southern Queer History (1999), both from the University of Chicago Press. Jim Grimsley is professor of practice in...
Contact
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Call for Submissions: Music and the US South
...projects may take any of a number of forms. Please contact us if you have any questions about our process, infrastructure, or other aspects of digital project publishing. Southern Spaces editors are...
The Save All Quilt [ca. 1880]
...relatively close together when cutting the fabric, but the claim of "no waste in material" is not entirely accurate. Making a quilt can express thrift in a number of ways,...
Paul's Crazy Quilt [ca 1875 and ca 1915]
...would likely have made this number if she had envisioned this project from the start. Finally, although red fabrics appear in both the star and the crazy blocks, there is...
Piedmont Blues
...1932, and he collaborated with a number of high profile blues artists, including Ma Rainey, Gus Cannon, and Papa Charlie Jackson. Blake disappeared after his last Paramount session in 1932....
Failed Memory Exercise
...A place I can't forget, since its beams were ripped out, Numbered, and shipped east to some resurrection bistro Where one can cop a decent blintz and expresso now That...
The Chesapeake Bay
...they were not conservationists. They cleared lands and moved as necessary, their low numbers making little impact on the available resources (with the significant exception of white-tail deer which Indians...