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Baptists and Witches: Multiple Jurisdictions in a Muskogee Creek Story

...commercial walking canes. A deacon uses his staff for many duties. It may be used as a pointer during usher duties. Also, it may be used during a baptism to...

Cruising Grounds: Seeking Sex and Claiming Place in Houston, 1960–1980

Introduction What role does cruising play in marking specific areas of the urban landscape as "queer territory"?1For the purposes of this essay, I use the word "queer" primarily in its...

Editorial Style Guide

...Manual of Style. The journal uses Webster's Dictionary as arbiter for spelling and definitions. Punctuation and capitalization Abbreviations For plurals of abbreviations, use an apostrophe before the s if the...

All Roads Led from Rome: Facing the History of Cherokee Expulsion

...Land Lottery Register, 250. Ross's Head of Coosa possessions included his two-story house, sixty-five acres of cultivated fields, a kitchen, work house, smoke house, blacksmith shop, wagon house, stables, slave...

The Countryside Transformed: The Eastern Shore of Virginia, the Pennsylvania Railroad, and the Creation of a Modern Landscape

...and effects. In this zone where the South "ends," we can understand more about the region's modern development because the contradictions at the heart of it stand in such stark...

Reuse, Author Choice, and the Open Access Spectrum: New Creative Commons Licenses for Southern Spaces Authors

...greatest opportunity for reuse. Under a CC BY-ND (attribution, no derivatives) license, users are free to copy, display, distribute, or perform the original work with attribution. Users may not make...

Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida

...shell, over an overgrown pond my spouse never even knew existed—where health officials deemed the water unsafe to fish or swim. Economics and social history shape the landscape, but because...

The Pursuit of Health: Colonialism and Hookworm Eradication in Puerto Rico

...text-book for students and practitioners (Philadelphia: P. Blakiston's Son & Co., 1909), 192. Image uploaded by Flickr user Internet Archive Book Images. Image is in public domain. That the story...

Residues of Border Control

...conceal the marks of their crossing. They carry a dry set of clothes in a sealed plastic bag, sometimes found empty and tied to the tires used as flotation devices....

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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