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Constructed Views: New Meets Old in Mid-South Cities

...to the states of the "mid-South:" Alabama, Arkansas, Louisiana, Mississippi, and Tennessee. I decided to photograph in all of the cities in those states that the 2000 census listed as...

A Mess of Poke

...heartbeat, dizziness, and possibly seizures, coma and death. Sure enough, according to Jean Weese, a food scientist with the Alabama Cooperative Extension service, "The roots, berries, seeds and mature stems...

Jake Adam York Interviews Natasha Trethewey

...she has published two pieces, Elegy for the Native Guards and Theories of Time and Space. About Jake Adam York Raised near Gadsden in northeast Alabama by his steelworker father...

Jake Adam York Interviews Sandra Beasley

...near Gadsden in northeast Alabama by his steelworker father and his mother, a history teacher, Jake Adam York studied architecture and English at Auburn University. He received an M.F.A. and...

Reframing Resistance: A Review of Freedom Now!

...rights reserved. The publishing of a particular photograph—for example, Charles Moore's "Firemen Use High-Pressure Hoses against Protesters, Birmingham, Alabama, May 3, 1963" (24–25)—could often lead to the reproduction of that...

Race & Gender in the Latinx South: A Review of Cecilia Márquez’s Making the Latino South & Sarah McNamara’s Ybor City

...the center of historical investigations into matters of culture, education, identity, and labor. Across five chapters that illuminate localized Latino histories in Alabama, DC, Georgia, Mississippi, North Carolina, and South...

Piedmont Blues

...York State into Alabama, the Piedmont blues region remains a subset within this larger area. Realistically, culturally-defined regions are fluid constructions that often defy firm boundary line. However, for the...

Confederate Literary Nationalism: Coleman Hutchison's Apples and Ashes

...far from consistent and in no simple or teleological way spawned the literary nationalism of the Confederacy. W. A. Reed, Augusta Jane Evans Wilson, circa 1890. Courtesy of Alabama Department of...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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