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Sacred Harp, "Poland Style"

...session of Camp Fasola Europe, held near Gdansk in northern Poland; and the first Poland Sacred Harp Convention, held in Warsaw. Like the Ireland Convention, these events exceeded organizers' expectations...

Red J. Store on Carroll Street, ca. 1910–1920

...did Cabbagetown look and feel like between the late nineteenth century and the late 1970s when the neighborhood's industrial identity was in its heyday? Georgia Tech's Fulton Bag and Cotton...

Majority of Nation's Public School Students Now Low-Income

...The implications of this trend are far-reaching. It indicates persisting economic hardship for a large number of families with school-age children, signaling that children who usually have the largest educational...

Art, Diaspora, and Identity: The John Biggers Papers

...European styles of realism, Biggers's later work began to incorporate more stylized and symbolic elements drawn from African traditions, creating a hybrid style of realistic and abstract forms. Biggers also...

The Bulletin—August 21, 2012

...cases (26 deaths) of the West Nile virus disease in humans in 43 states so far this year. This number represents the highest total in late August since the CDC...

Palomares Bajo

...filled with smoke and burning wreckage, plummeting to earth.8The deceased were Emil Chapla, George Glessner, Paul Lane, Stephen Montanus, Lloyd Potolicchio, Leo Simmons, and Ronald Snyder. Megara, 27-8. John Howard,...

A City Divided

...class. Blacks and whites, business owners and laborers lived in close proximity in the late 1800s, often on the same block. If the home-owning whites who occupied the distinguished homes...

The Digital Yoknapatawpha Project

...how our platform will enable a scholar to "layer" maps from different moments in Faulkner's world and track changes in both Faulkner's conceptualization of the landscape and important narrative progressions....

The Bulletin—July 24, 2012

...ranchers sold nearly 36,000 head of cattle last week, triple the number from a few weeks ago. The Arkansas River Basin has been hit especially hard, which is evident in this map...

Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond

...in Carnival aesthetics. An initial recovery suggestion was that the city—with its largely intact and distinctive eighteenth- and nineteenth-century high-ground landscape and its continuing Latinate laissez-faire attitudes—was well pre-adapted to...

References
1.	Creole expressive culture in French Louisiana—the rural parishes south and east of New Orleans to the Texas boarder—was the jumping-off point for discussion of the local and global aspects of cultural creolization in the original 1997 "Monde Créole" presentation to the meetings of the American Folklore Society in Lafayette, Louisiana, and now reprinted in Creolization as Cultural Creativity. This epilogue offers the counterpoint and complement of post-Katrina New Orleans, its own urban Creole communities, and, more broadly writ, the impact of creolized tradition and creativity on the general populace of the city/region.
2.	Nick Spitzer, "Rebuilding the Land of Dreams with Music," in Rebuilding Urban Places After Disaster: Lessons from Hurricane Katrina, eds. Eugenie Ladner Birch and Susan M. Wachter (University of Pennsylvania Press, 2006), 305-328.
3.	Roger D. Abrahams, The Man-of-Words in the West Indies:Performance and the Emergence of Creole Culture (Johns Hopkins University Press, 1983).
4.	Nick Spitzer, American Routes: Songs and Stories from the Road [Audio CD/CD-Rom] (Highbridge Company, 2008).
5.	Interview with Edward Buckner was broadcast August 22, 2007, on American Routes. See: Nick Spitzer, American Routes: Songs and Stories from the Road [Audio CD/CD-Rom] (Highbridge Company, 2008).
6.	Audio clip of Philip Frazier courtesy Matt Sakakeeny, who edited the Tremé second-line segment for American Routes, broadcast August 22, 2007, on American Routes. See: Nick Spitzer, American Routes: Songs and Stories from the Road [Audio CD/CD-Rom] (Highbridge Company, 2008).
7.	Roger D. Abrahams, Nick Spitzer, John Szwed, and Robert Farris Thompson, Blues for New Orleans: Mardi Gras and America’s Creole Soul (University of Pennsylvania Press, 2006).
8.	Jon Pareles, "Mardi Gras Dawns With Some Traditions in Jeopardy," The New York Times, February 28, 2006. http://www.nytimes.com/2006/02/28/arts/music/28pare.html.
9.	Nick Spitzer, "Rebuilding the Land of Dreams with Music," in Eugenie Ladner Birch and Susan M. Wachter, eds., Rebuilding Urban Places After Disaster: Lessons from Hurricane Katrina. (University of Pennsylvania Press, 2006), 305-328.
10.	Various Artists, Our New Orleans: A Benefit Album (Nonesuch Records, 2005).
11.	Interview with Allen Toussaint that aired August 2009 on American Routes.
12.	Personal communication, Robert O’Meally, 2004.
13.	The CD containing some of these is the 2008 Blue Crescent on Basin Street Records: New Orleans. White had previously made much of this connection to elder jazz musicians whom he had learned from (on records or in person), been advised by, or played with, musicians such as George Lewis, Danny Barker, and Doc Paulin. He referred to these and other players of traditional jazz as now "dancing in the sky" and made a recording of the same name also on Basin Street Records prior to the floods of 2005.
14.	Edwin Bocage, as quoted in Various Artists, Our New Orleans: A Benefit Album (Nonesuch Records, 2005).
15.	Interview was broadcast November 2, 2005, on American Routes.
16.	Earl Barthé, as quoted in Nick Spitzer, "The Aesthetics of Work and Play in Creole New Orleans," in John Ethan Hankins and Steven Maclansky, eds., Raised to the Trade: Creole Building Arts of New Orleans (New Orleans: New Orleans Museum of Art, 2002), 123.
17.	Jonn Ethan Hankins and Steven Maklansky, eds., Raised to the Trade: Creole Building Arts of New Orleans (New Orleans: New Orleans Museum of Art, 2002)
18.	Kate Ellis, Stephen Smith, and Nick Spitzer, Routes to Recovery, American Radioworks, 2007.
19.	For one good example, see: Robert Giegengack and Kenneth R. Foster, "Physical Constraints on Reconstructing New Orleans," in Eugenie L. Birch and Susan M. Wachter, eds., Rebuilding Urban Places After Disaster: Lessons From Hurricane Katrina (University of Pennsylvania Press, 2006), 13-33.
20.	I must admit, though, that we probably will never know exactly how many people left New Orleans before Katrina or never returned after it because of the city’s weak infrastructure, limited economic opportunities, or racial and class barriers.
21.	Shannon Lee Dawdy, Building the Devil’s Empire: French Colonial New Orleans (University of Chicago Press, 2009).
22.	Nicholas R. Spitzer, "The Creole State: An Introduction to Louisiana Traditional Culture," Louisiana's Living Traditions, 1985.
23.	Quoted in Wayne Curtis, "Houses of the Future," The Atlantic, November 2009. http://www.theatlantic.com/magazine/archive/2009/11/houses-of-the-future/7708/
24.	Nick Spitzer, "Rebuilding the Land of Dreams with Music," in Eugenie Ladner Birch and Susan M. Wachter, eds., Rebuilding Urban Places After Disaster: Lessons from Hurricane Katrina (University of Pennsylvania Press, 2006), 308.
25.	Harrison’s remark was made at the Penn Institute for Urban Research Seminar, Arts in the City: Can the Arts Revive Our City and the Nation’s Economy? Philadelphia, March 2, 2010. I distinguish "way of life," as an organic cultural attribute, from "quality of life," which more often is a kind of add-on or enumerative set of features favored by advocates of economic development based in "creative economy"—most prominently Richard Florida, who ironically has New Orleans low on his quality-of-life rankings compared to many cities with far less organic "way of life" depth.
26.	American Creole: New Orleans Reunion, DVD, Documentary directed by Michelle Benoit and Glen Pitre, Louisiana Public Broadcasting. 2006.
27.	Interviews from Nick Spitzer, American Routes, 2003 and 2010.
28.	Viranjini Munasinghe, "Theorizing World Culture through the New World: East Indians and Creolization," American Ethnologist 33, no. 4 (November 2006): 549-562. For a discussion of Viranjini Munasinghe's article see American Ethnologist 33, no. 4 (November 2006): 563-592.
29.	Viranjini Munasinghe, "Theorizing World Culture through the New World: East Indians and Creolization," American Ethnologist 33, no. 4 (November 2006): 549-562.
30.	Quoted in Nick Spitzer, "Rebuilding the Land of Dreams with Music," in Eugenie Ladner Birch and Susan M. Wachter, eds., Rebuilding Urban Places After Disaster: Lessons from Hurricane Katrina (University of Pennsylvania Press, 2006), 326.

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