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The Bulletin—March 20, 2013

...Steubenville as both an impoverished town in the Rust Belt of Ohio and as an industrial Appalachian city, tacitly connecting the crime to longstanding regional stereotypes. The case has garnered...

Piedmont Blues

...longest-lasting double act in blues history. McTell, Blind Willie McTell (1901-1959) grew up in Statesboro, Georgia, and made his living as a popular street musician. Playing a twelve-string guitar ,...

Conflict and the Senses: A Review of The Smell of Battle, the Taste of Siege

...1861–1864 when, as Smith puts it: "The nation that had prided itself on its civilized control of the senses lost that control" (6). Smith's book is structured around five events,...

Ethnic Cleansing and the Trail of Tears: Cherokee Pasts, Places, and Identities

...the states of Georgia, Tennessee, and North Carolina regarded their far-flung kin as either outsiders or as rivals who had abandoned them in their fight against the federal and state...

Palomares Bajo

...(accessed 12 February 2011). Activist and historian Luisa Isabel Álvarez de Toledo, 21st Duchess of Medina Sidonia, helped lead early demonstrations, including a first anniversary protest. The erroneously dubbed "Red...

The Bulletin—November 15, 2012

...in and intellectually engaging with the US South. The 2012 United States presidential election results have led mapmakers and illustrators over the past week to search for new ways to...

The Save All Quilt [ca. 1880]

...The statement "Made by Mary Louisa Snoddy" does more than just identify the maker. Mary Kate abbreviated information elsewhere, but here she wrote out her mother's maiden name, revealing that...

Along the Ulcofauhatche: Of Sorrow Songs and "Dried Indian Creek"

...as Oxford College of Emory University—and directly past Bethlehem Baptist Church, the county's oldest African American house of worship. For two centuries the waterway has been a significant site of...

Writing Appalachia

...Legacy of Southwest Virginia and Northeast Tennessee (2006). In 1858, (West) Virginia artist and author David Hunter Strother confirmed this blend of backwoods and urbane, noting that in East Tennessee...

References
1.	Websites for locating Appalachian writing include Documenting the American South (docsouth.unc.edu) and Making of America (quod.lib.umich.edu/m/moagrp/).
2.	Outstanding specialized anthologies include W. K. McNeil, ed., Appalachian Images in Folk and Popular Culture (1995); Sandra L. Ballard and Patricia L Hudson, eds., Listen Here: Women Writing in Appalachia (2004); Felicia Mitchell, ed., Her Word: Diverse Voices in Contemporary Appalachian Women's Poetry (2003); Kevin E. O'Donnell and Helen Hollingsworth, eds., Seekers of Scenery: Travel Writing from Southern Appalachia, 1840–1900 (2004); Marita Garin, ed., Southern Appalachian Poetry: An Anthology of Works by Thirty-Seven Poets (2008); Jessie Graves and William Wright, eds., The Southern Poetry Anthology: Contemporary Appalachia (2010); Chris Green, ed., Coal: A Poetry Anthology (2006); and Anthology of Appalachian Writers (a journal-like, serial publication of contemporary Appalachian writing published by Shepherd University).
3.	John C. Campbell, The Southern Highlander and His Homeland (1921); Henry Glassie, Pattern in the Material Folk Culture of the Eastern United States (1968); Terry G. Jordan-Bychkov, The Upland South: The Making of an American Folk Region and Landscape (2003).
4.	William Goodell Frost, "Our Contemporary Ancestors in the Southern Mountains," Atlantic Monthly, 1899. A recent controversial literary example that reinforces the degenerate-culture vision of Appalachia is J. D. Vance's Hillbilly Elegy: A Memoir of a Family and Culture in Crisis (2016). Vance's book has generated so much popular attention on the region that several Appalachian authors, including many of the authors featured in this anthology, decided to write back against Vance's portrayal of Appalachia in Appalachian Reckoning: A Region Responds to "Hillbilly Elegy" (2018). Examples of the degenerate-culture representation in the contemporary media include The Wild and Wonderful Whites of West Virginia (https://www.youtube.com/watch?v=AQBiXDNVeSA); Buckwild (http://www.mtv.com/shows/ buckwild/series.jhtml), Squidbillies (https://www.adultswim.com/search?q=squidbillies), and Saturday Night Live's "Appalachian Emergency Room" (http://www.nbc.com/saturday-night-live/video/appalachian-emergency-room/n12005/).
5.	The contemporary popular media engage less in romanticization of Appalachians, although the trope abounds in the literature. Nothing seems to be filling the beloved shoes of The Waltons (serialized from 1972 to 1981 and made into television movies three times in the 1990s) or Christy, the 1994–1995 television series about a stoic young city girl teaching in the Tennessee mountains in 1912 who gently guides the mountain people away from their bad ways, bringing out their natural goodness. The character Kenneth Parcel, played by Jack McBrayer, on the television comedy 30 Rock (2006–2013) may be the best example of contemporary media's embracing of the "good" qualities of Appalachian people, albeit couched within the all-too-familiar hillbilly stereotypes. Kenneth, from Stone Mountain, Georgia, is unfailingly cheerful, kind, and honest. He is also misogynistic and religiously narrow-minded. He rejects science and supports the Confederacy. References to incest abound when Kenneth is around.
6.	Chad Berry, Philip J. Obermiller, and Shaunna L. Scott, eds, Studying Appalachian Studies: Making the Path by Walking (2015).
7.	Eller, Miners, Millhands, and Mountaineers: Industrialization of the Appalachian South, 1880–1930 (1982), xvii. For a discussion of the commodification and fetishization of Appalachia, see Allen W. Batteau, The Invention of Appalachia (1990).
8.	Batteau, The Invention of Appalachia. See also Henry Shapiro, Appalachia on Our Mind: The Southern Mountains and Mountaineers in the American Consciousness, 1870–1920 (1978).
9.	For a discussion of master narratives in late nineteenth- and early twentieth-century anthologies of southern literature, see Susan Harrell Irons, "Southern Literary Reconstructionists: Shaping Southern Literary Identity, 1895–1915" (Ph.D diss., University of North Carolina, Chapel Hill, 2001).
10.	William Andrews, preface to The Literature of the American South: A Norton Anthology (1998), xxii.
11.	Douglas Reichert Powell, Critical Regionalism: Connecting Politics and Culture in the American Landscape (2007), 10.
12.	Robert J. Higgs and Ambrose Manning, Voices from the Hills: Selected Readings of Southern Appalachia (1975), xvii.
13.	Edward J. Cabbell, "Black Invisibility and Racism in Appalachia: An Informal Survey," in Blacks in Appalachia, ed. William H. Turner and Edward J. Cabbell (1985); Barbara Ellen Smith, "Walk-Ons in the Third Act: The Role of Women in Appalachian Historiography," Journal of Appalachian Studies (1998); Jeff Mann, Loving Mountains, Loving Men (2005).
14.	Betsy K. White, Great Road Style: The Decorative Arts Legacy of Southwest Virginia and Northeast Tennessee (2006).
15.	Strother, "A Winter in the South, Fifth Paper," Harper's New Monthly Magazine (1858), 721.
16.	Rudy Abramson and Jean Haskell, eds., The Encyclopedia of Appalachia (2006), which emphasized the region's urban as well as rural dimensions, pioneered this multi-tiered approach to Appalachian studies. We follow this lead.
17.	John Alexander Williams, Appalachia: A History (2002), 13.
18.	Henry Louis Gates Jr., The Signifying Monkey: A Theory of African-American Literary Criticism (1988), 127.
19.	C. Hugh Holman, "Appalachian Literature? Two Views," Appalachian Journal (1976), 79.
20.	See, for example, Sylvia Jenkins Cook, From Tobacco Road to Route 66: The Southern Poor White in Fiction (1976).
21.	Fred Chappell, "The Shape of Southern Literature to Come: An Interview with Will Hickson"; and Rodger Cunningham, "Writing on the Cusp: Double Alterity and Minority Discourse in Appalachia," in The Future of Southern Letters, ed. Jefferson Humphries and John Lowe (1996).

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