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Southern Spaces
A journal about real and imagined spaces and places of the US South and their global connections

Eggleston's South: "Always in Color"

...© Eggleston Artistic Trust. In a William Eggleston photograph currently on display at the Metropolitan Museum of Art, a young African American woman wearing a lime green dress and a...

Toxic Knowledge: A Review of Baptized in PCBs

...the African American and low-income white neighborhoods of West Anniston. Reproduced from Baptized in PCBs, 76. Courtesy of Ellen Spears. During World War II, the Chemical Warfare Service set up...

Editorial Style Guide

...does not capitalize "civil rights movement." Identifiers related to race, cultural identity, or ethnicity: Southern Spaces capitalizes racial and ethnic identifiers (e.g. Latinx, Asian American, Native American, African American); racial...

Loving-Moonlight(ing): Cinema in the Breach

...motif of water breaching signifies the larger perplexity of "rootedness" and fixity for all African Americans with ancestors forcibly brought to American shores. How can anyone find stasis out of...

Revisiting Flaherty's Louisiana Story

...facing all streams shaping Cajun culture, among which Lomax lists French, African American, and Native American. The culture was primarily rural and under significant economic stress. While Flaherty romanticizes living...

A Horrible, Beautiful Beast

Review Walker Art Center, Minneapolis, February 17–May 13, 2007 ARC/ Musée d'art moderne de la ville de Paris, France, June 20–September 9, 2007 Whitney Museum of American Art, New York,...