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Jake Adam York Interviews Natasha Trethewey

...she has published two pieces, Elegy for the Native Guards and Theories of Time and Space. About Jake Adam York Raised near Gadsden in northeast Alabama by his steelworker father...

Jake Adam York Interviews Sandra Beasley

...near Gadsden in northeast Alabama by his steelworker father and his mother, a history teacher, Jake Adam York studied architecture and English at Auburn University. He received an M.F.A. and...

Piedmont Blues

...sake of clarity, this essay defines the Piedmont blues region as spanning from Danville, Virginia to Atlanta, Georgia, running approximately 325 miles from northeast to southwest and being seventy-five to...

Slavery's Traces: In Search of Ashley's Sack

...important for several reasons. It demonstrates that the narrative embroidered by "Ruth Middleton" is very likely to be accurate, or at least highly plausible. This undertaking helps us understand how,...

Born In Violent Conquest: A Review of Jacksonland

...compulsion to expand American territory. He made this portion of the southeast into "Jacksonland," beginning his lifelong project of turning Indian homelands into US possessions. John Ross to Andrew Jackson,...

Reframing Resistance: A Review of Freedom Now!

Review I remember well seeing Charles Moore's fire hose photographs from Birmingham in my hometown newspaper, the Louisville Courier-Journal. Six-years old in 1963, I had little understanding of the day's...

American Coast, Imperiled Energy: Jason P. Theriot’s American Energy, Imperiled Coast

...Loss in the Northern Gulf of Mexico: Multiple Working Hypotheses," Estuaries 20, no. 1 (1997): 1–13. Wetland loss between 1956 and 2008 near Delacroix, Lousiana. Slides from Southeast Lousiana Flood...

Red J. Store on Carroll Street, ca. 1910–1920

This week's featured image was inspired by my own search for information about my newly adopted neighborhood of Cabbagetown, a former milltown on Atlanta's east side. With its perilous, narrow...

The Southern Quarterly's Special Issue on Natasha Trethewey

...its terrible beauty, its violent and troubled past,"2Natasha Trethewey, "How Seamus Heaney Influenced Poet Laureate Natasha Trethewey," The Daily Beast, September 3, 2013, http://www.thedailybeast.com/articles/2013/09/03/how-seamus-heaney-influenced-poet-laureate-natasha-trethewey.html, quoted in Joan Wylie Hall, "Guest...

References
1.	Eric Foner, Reconstruction: America's Unfinished Revolution, 1863–1877 (New York: Harper and Row, 1988).
2.	Shawn Lay, The Invisible Empire in the West: Toward a New Historical Appraisal of the Ku Klux Klan of the 1920s, ed. Shawn Lay (Urbana: University of Illinois Press, 1992): 56.
3.	Mark Auslander, "Driving Back into the Light: Traversing Life and Death in a Lynching Reenactment by African Americans," in Vehicles: Cars, Canoes and other Metaphors of Moral Imagination, eds. David Lipset and Richard Handler (New York: Berghahn Books, 2014): 178–193.
4.	Teresa Lenox, "The Carver Village Controversy," Tequesta: The Journal of the Historical Museum of South Florida, no. 50 (1990): 39–51.
5.	Robert Franklin Williams, Negroes with Guns (Detroit: Wayne State University Press, 1962): xiv. In July 1965, gunfire from the Deacons for Defense and Justice dispersed a Klan motorcade firing shots at African American homes in Bogalusa, Louisiana.[fn]Christopher B. Strain, "'We Walked Like Men': The Deacons for Defense and Justice," Louisiana History: The Journal of the Louisiana Historical Association 38, no. 1 (1997): 43.
6.	David Cunningham, There's Something Happening Here: The New Left, the Klan, and FBI Counter-Intelligence (Berkeley: University of California Press, 2005).
7.	Mark Auslander, "'Holding on to Those Who Can't Be Held'": Reenacting a Lynching at Moore's Ford, Georgia," Southern Spaces, November 8, 2010, https://southernspaces.org/2010/holding-those-who-cant-be-held-reenacting-lynching-moores-ford-georgia.
8.	Although opponents of the flag often assume it was used by the Ku Klux Klan from the time of the organization's founding in 1865, there is little evidence that the Klan used the flag until the 1940s (John Coski,The Confederate Battle Flag: America's Most Embattled Emblem [Cambridge: Belknap Press of Harvard University Press, 2005]: 85–96.) To be sure, the founders of the first Klan were Confederate veterans and honored the memory of the Lost Cause, and many second Klan members from 1915 through World War II felt great loyalty to the memory of the Confederacy, but they appear to have shared the prevailing white Southern sentiment that the flag was best reserved for honoring the Confederate dead in cemeteries and in solemn commemorative marches. From the time of General Robert E. Lee's surrender at Appomattox until the mid-1940s, the flag was largely under the control of heritage organizations such as the Sons of Confederate Veterans and the United Daughters of the Confederacy. From 1945 onwards, the revised Klan made extensive use of the Confederate battle flag, at times in conjunction with cross burnings at Stone Mountain and other sites. Following the war, members of the elite white fraternity Kappa Alpha increasingly displayed the flag at football games and in "Old South" processions. The rise in public flag display coincided with growing white southern resistance to Truman's civil rights proposals. The flag was widely used in the 1948 National States Rights Democratic Party, the "Dixiecrats," although it was never adopted as the party's official emblem. By 1951, Roy V. Harris, editor of the Augusta Courier and former speaker of the Georgia House of Representatives would write that the flag, "is becoming to be [sic] the symbol of the white race and the cause of the white people. The Confederate flag means segregation" (Coski, 137).
9.	Coski, 126.
10.	Auslander, "Driving Back into the Light," and "'Holding on to Those Who Can't Be Held.'"
11.	Gwendolyn Brooks, "The Chicago Defender Sends a Man to Little Rock, Fall 1957," in The Bean Eaters (New York: Harper, 1960).
12.	Laura Wexler, Fire in a Canebrake: The Last Mass Lynching in America (New York: Scribner, 2003).

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