Longleaf, Far as the Eye Can See: A New Vision of North America's Richest Forest
...as much on quick regrowth, harvest, and processing of timber as were the lumber and paper companies. Aesthetic and environmental values are important management objectives for some of these newer...
Rethinking the Geography of Lynching
...activists. Others, as exemplified in Lynching Beyond Dixie, have researched lynching outside the South. Historians of the West have long studied vigilantism, but new scholarship on lynching draws connections between...
A Turning Point for Richmond: The Virginia Historical Society's Civil War Exhibition
...reaction are here, aromatic, pungent, old and new, and the old and new blended into one what is both old and new. This is not a city of one aspect."...
Visions for Sustainable Agriculture in Cuba and the United States: Changing Minds and Models through Exchange
...Remarks on the Senate Floor Against Lifting of Cuba Travel Restrictions," Robert Mendendez, July 16, 2010, http://www.menendez.senate.gov/newsroom/press/menendez-remarks-on-the-senate-floor-against-lifting-of-cuba-travel-restrictions. Views like Menendez's reflect an inconsistency in US foreign policy when it comes...
Shades of Violence: Jim Crow Justice and Black Resistance in the Depression-Era South
...in Southern Courts," New York, New York, 1931. Pamphlet by Joseph North. Published by International Labor Defense. Courtesy of the Smithsonian National Museum of African American History and Culture. Image...
Saints at the River and Selected Poems
...the gravestones leaned as if even the dead were listening. Three AM and the Stars Were Out When the phone rings way too late for good news, just another...
Whole Cloth Chintz Wedding Quilt [ca 1850]
...than practical. Rosa's new husband could certainly afford to provide the household goods the couple needed. In many communities, however, it was traditional for the bride's family to supply the...
"Aint that Something?"
...a misfit: "Willet stood in front of me, breathing through his mouth, and I wanted to squeeze his big soft head. The feeling was new and strange" (258). "A hole...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What are...
Katrina, One Year Later: Three Perspectives
...visual images of New Orleans and the Mississippi Gulf Coast — some of them genuinely heart-rending, others gratuitously spectacular — were circulated worldwide via television broadcasts, newspaper and magazine articles,...