Search for "One Caribbean Reservation 800-299-7264 Official Site Phone Number"

Good-Bye to All That?

...the number of challengers in 2016 is likely to decline even further. Our neighboring South Carolina offers a window into the future. In this most recent election less than 25...

Hillside Refuge: Tornado Shelters in Northeast Mississippi

...number of reported tornadoes in the state each year is twenty-five, with sixty-two the highest number reported in a single year, and five the fewest. The average number of tornado-related...

LiFT Art Salon: Hammonds House II

...family vacations included mandatory excursions to museums, libraries, and historical sites. To ensure that my little brother and I "enjoyed" cultural experiences of all stripes, we toured the Smithsonian in...

Battle of Atlanta Project Discussion and Exhibit Set for July 17 at Emory's Woodruff Library

...Library continues to celebrate the launch of the Battle of Atlanta mobile tour website and commemorate the 150th anniversary of the battle with a presentation and exhibit of materials on...

Saints at the River and Selected Poems

...the gravestones leaned as if even the dead were listening. Three AM and the Stars Were Out When the phone rings way too late for good news, just another...

Psychiatry in the Wake: Racism and the Asylumed South

...Virginia's institutions based on a discrete set of sources. Segrest's Administrations of Lunacy is a history of Georgia writ large, a weaving of scattered and disparate sources from official archives...

2014 Phillis Wheatley Poetry Reading

Greetings by Natasha Trethewey Natasha Trethewey introduces the 2014 Callaloo Conference. I am Natasha Trethewey, the Director of the Creative Writing Program and I’m pleased to welcome you to this...

Envisioning Faulkner and Southern Literature

...just to read Evan's work but also to have extensive conversations with her as she was developing her thesis. often in novels set in the United States or the Caribbean,...

Blues in the Lower Chattahoochee Valley

...assist them, built the mission and fort of Apalachicola on the west bank of the Chattahoochee River. This site, located in Russell County, Alabama, lies about fifteen miles south of...

References
1.	Evans, David. "The Development of the Blues." Chapter. In The Cambridge Companion to Blues and Gospel Music, edited by Allan Moore, 20–43. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2003.
2.	Fred Fussell, A Chattahoochee Album: Images of Traditional People and Folksy Places Around the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 2000), 1.
3.	Fred Fussell, Chattahoochee Album, 1–2.
4.	Fussell, 2.
5.	Fussell, 5.
6.	Fussell, 89.
7.	Email communication with the author, August 4, 2020.
8.	Liner notes from William Robertson's LP South Georgia Blues.
9.	"Cecil Barfield," Big Legal Mess Records, accessed August 5, 2020. https://biglegalmessrecords.com/collections/cecil-barfield.
10.	Precious Bryant, interview, 2003.
11.	Press bio, Terminus Records.
12.	George Mitchell, liner notes for the Revival Records LP George Henry Bussey and Jim Bunkley.
13.	Fussell, Fred. "'Cowboy' George Daniel: Blues Man from Creek Stand," Chattahoochee Tracings: Newsletter of the Historic Chattahoochee Commission, Volume 31, Fall 2003, p. 5.
14.	Email communication with the author, August 4, 2020.
15.	Bruce Bastin, Red River Blues: The Blues Tradition in the Southeast (Champaign: University of Illinois Press, 1986), 151.
16.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
17.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
18.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
19.	Green Paschal, interview, 1969.
20.	Green Paschal, interview, 1969.
21.	While some of the lyrical qualities of blues had longstanding roots in African American culture, the signature twelve-bar blues form didn't emerge until around 1900.
22.	Angela Y. Davis, Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday. New York: Vintage Books, 1999), 126.
23.	Lawrence Levine, Black Culture and Black Consciousness: Afro-American Thought from Slavery to Freedom (New York: Oxford University Press, 1975), 269–270.
24.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
25.	Bruce Bastin, "Truckin' My Blues Away—East Coast Piedmont Styles" in Nothing But the Blues: The Music and the Musicians, ed. Lawrence Cohn (New York: Abbeville Publishing Group, 1999), 209.
26.	Phone interview with Jake Fussell and the author on May 28, 2020.
27.	Dance Teacher Magazine, www.dance-teacher.com.
28.	David Evans, "Black Fife and Drum Music in Mississippi," Mississippi Folklore Register 6 (Fall 1972): 94–95.
29.	Alan Lomax, The Land Where the Blues Began (New York: The New Press,1993), 333.

Search Results for One Caribbean Reservation 800-299-7264 Official Site Phone Number