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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

Fish, Isle de Jean Charles, Louisiana, 2010

Lincoln graffiti, New Orleans, Louisiana, 2010

Mardi Gras Indian, New Orleans, Louisiana, 2010

Silo, Southern Louisiana, 2008

Rural storage, Crowley, Louisiana, 2009

Oyster shuckers, Houma, Louisiana, 2008

Old River deer, Old River Control Structure, Pointe Coupee Parish, Louisiana, 2011

Oil on the Chandeleur Islands from a plane, Off the coast of Louisiana, 2010

Cotton modules and gin, Tallulah, Louisiana, 2006

Music and Mobility on the Streets of New Orleans: A Review of Roll with It

...Orleanians as an affirmation of life against the history of bondage and violence (19). Intersection of St. Bernard Avenue and I-10 in Tremé, New Orleans, Louisiana, December 31, 2008. Photograph...

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References
1.	For more on the history of the Tremé see: Ned Sublette, The World That Made New Orleans: From Spanish Silver to Congo Square (Chicago: Lawrence Hill Books, 2008); Michael Eugene Crutcher, Tremé: Race and Place in a New Orleans Neighborhood (Athens: University of Georgia Press, 2010).
2.	Ironically, Kerwin James was best known for his arrangement of "Who Dat Called the Police?" a now classic brass band song to play when cops attempt to break up a secondline or jazz funeral.
3.	Contestations around live music have become commonplace across New Orleans's neighborhoods in recent years. Policing these regulations on music has been uneven with some bars gaining music permits, others being required to shut down, and yet other venues choosing to forego live music to avoid potential complaints. See Jan V. Ramsey, "Let's Just Shut Frenchmen Street Down - Offbeat Magazine," Offbeat Magazine Lets Just Shut Frenchmen Street Down Comments, March 14, 2012, accessed December 19, 2014, http://www.offbeat.com/2012/03/14/lets-just-shut-frenchmen-street-down; Michael Welch, "Music Rights: An Educated Opinion on New Orleans' Noise Ordinances (AntiGravity. Nov 2011)." New Orleans the Underground Guide, May 13, 2012, accessed December 19, 2014, http://michaelpatrickwelch.org/2012/05/13/music-rights-an-educated-opinion-on-new-orleans-noise-ordinances-antigravity-nov-2011/; Alex Woodward, "Autopsy of the Noise Ordinance," Gambit, May 13, 2014, accessed December 19, 2014, http://www.bestofneworleans.com/gambit/autopsy-of-the-noise-ordinance/Content?oid=2433600; Alex Woodward, "Mimi's in the Marigny Cancels Live Music; Buffa's Faces 'noise' Lawsuit," Gambit, July 3, 2014, accessed December 19, 2014, http://www.bestofneworleans.com/blogofneworleans/archives/2014/07/03/mimis-in-the-marigny-cancels-live-music-buffas-faces-noise-lawsuit. However, musicians have not ignored this shifting event as is evident in the formation of the Music and Culture Coalition of New Orleans by local musicians to combat the crackdown against local musicians. "Who We Are," Music and Culture Coalition of New Orleans, accessed September 24, 2014, http://maccno.com/sample-page/who-we-are/.
4.	Cindy Chang, "Louisiana Is the World's Prison Capital," NOLA.com, May 12, 2012, accessed September 24, 2014, http://www.nola.com/crime/index.ssf/2012/05/louisiana_is_the_worlds_prison.html.
5.	See also Kevin Fox Gotham, "Tourism Gentrification: The Case of New Orleans' Vieux Carre (French Quarter)," Urban Studies 42, no. 7 (2005); Jonathan Mark Souther, New Orleans on Parade: Tourism and the Transformation of the Crescent City (Baton Rouge: Louisiana State University Press, 2006).
6.	Such exceptionalist renderings go as far back to the writings of George Washington Cable and Lafcadio Hearn and appear as recently as David Simon's HBO show Treme.

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