"Rights Still Being Righted": Scottsboro Eighty Years Later
...Americans from jury pools.1Powell v. Alabama, 287 US 45 (1932); Norris v. Alabama, 294 US 587 (1935). Carol M. Highsmith, Scottsboro Boys Museum and Cultural Center, Scottsboro, Alabama, 2010. Courtesy...
Katrina + 5: An X-Code Exhibition
...as “the most photogenic disaster in American history since the Civil War.”1Codrescu, Andrei, cover blurb for Jane Fulton Alt, Look and Leave: Photographs and Stories from New Orleans’s Lower Ninth...
Unquiet Emmett Till
...Urban History at Loyola University Chicago. His books and articles embrace multiple aspects of urban and American culture, particularly the history of various social groups in American cities since 1800....
The Web of Cis-Atlantic History: A Review of Louisiana: Crossroads of the Atlantic World
...Richard Weyhing is an assistant professor of history at State University of New York at Oswego specializing in early American history, Native American history, and history of the Atlantic World....
Revisiting Flaherty's Louisiana Story
...facing all streams shaping Cajun culture, among which Lomax lists French, African American, and Native American. The culture was primarily rural and under significant economic stress. While Flaherty romanticizes living...
Envisioning Faulkner and Southern Literature
...African American art, see Rachel Farebrother's The Collage Aesthetic in the Harlem Renaissance (London: Ashgate, 2009). Toomer claimed that he was a "new American," and wanted to be true to...
Quilting Conversation
Introduction by Katherine Jentleson During the summer of 2018, Atlanta's High Museum of Art hosted Outliers and American Vanguard Art, an exhibition that demonstrated how self-taught artists have been major...
Shaping a Southern Soundscape
...generation of academics have named it the southern imaginary—runs deep in American culture. We know that it defines, ensnares, and empowers whites and blacks. We know it has tremendous flexibility...
Prop Master at Charleston's Gibbes Museum of Art
...was African American. The stacked rows of small black boxes that support the platform suggest the unacknowledged role of African Americans in upholding this culture and sustaining its economic structure....
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...