Moore's Ford Lynching Reenactment
...Take Highway 11 North all the way to Monroe. (Follow the instructions as outlined above.) Note: If you pass Church’s Chicken you have gone too far. Church Telephone Number 770-267-5819...
Congregation
...from the car, take away the generator, the air conditioner, whatever there was to be had. He watched his phone for a signal, watched the sky for signs of a...
Lyle Saxon and the WPA Guide to New Orleans
...count on one hand the number of writers given high administrative responsibility. Saxon was one of them, and maybe the most highly regarded of the lot. On several occasions Washington...
The Liminal Site
...with a Chinese or Japanese provenance—daphnes, gardenias, camellias, lacecap hydrangeas. (While there were several evergreen azaleas already on the property, however, I was not tempted to add to their number.)...
Collaborative Atlanta Studies Website Gathers Original Scholarship, Research, and Projects on Atlanta
...reviewed by the editorial board. AtlantaStudies.org also offers a gateway to several projects and resources. Current featured projects are the ECDS's Battle of Atlanta smartphone-accessible tour; the Peoplestown Project about the...
Natasha Trethewey Interviews Elizabeth Alexander
Interview with Natasha Trethewey Part 2: Alexander discusses growing up in NYC and Washington DC, DC as Upsouth, identifications with Blackness and southernness Part 3: Alexander discusses southernness and urban space, and...
An Absence I Know I Won't Reclaim
...Prize for his book Salvation Blues: 100 Poems, 1985-2005. His eight other books include Elegy for the Southern Drawl a finalist for the 2000 Pulitzer Prize, and Transparent Gestures ,...
An Unflinching Look: An Interview with Photographer Benjamin Dimmitt
...freshwater, merged right out into the Gulf. Bransford: In broad brushstrokes, can you describe what the Refuge looks like? Dimmitt: There were ferns and bromeliads everywhere. The humidity was 100%...
Music and Mobility on the Streets of New Orleans: A Review of Roll with It
Review Willie Birch, Martin Luther King Day Parade, 2003. Acrylic and charcoal on paper, 72 x 96 inches. Courtesy of the artist and Arthur Roger Gallery. In Roll With It:...
Insistent Traces
Readings https://vimeo.com/134755182 Claudia Emerson reads the untitled opening from Pinion: An Elegy. View poem text here. https://vimeo.com/134755765 Claudia Emerson reads the poem "Rent." View poem text here. https://vimeo.com/134756419 Claudia Emerson...