Mapping the "Big Minutes": Visualizing Sacred Harp's Geographic Coalescence and Expansion, 1995–2014
...this decentralized music culture. Minutes detail the name of each song leader, the page number(s) of song(s) each person led, the names of officers and committee members, these committees' reports,...
Just a number, Old Bryce Hospital Cemetery, Tuscaloosa, Alabama, 2007
Negotiating Gender Lines: Women's Movement across Atlanta Mosques
...of a substantial number of prosperous black Atlantans, we might imagine that African American Muslims are more likely to live in Atlanta than in Chicago in the same neighborhoods or...
Transcript of "When I Say 'Steal,' Who Do You Think Of?": Part Two
...in the US—to be white people descended from Scot-Irish, emigrants, fleeing poverty in Europe, moving from the eastern seaports of the US further south and east, looking for cheap land —...
States' Rights Resurgent: The Attack on the Voting Rights Act
...the United States, due process and equal protection of the laws, House apportionment based on "the whole number of persons," and citizens' right to vote without regard to "race, color,...
Dixie Destinations: Rereading Jonathan Daniels's A Southerner Discovers the South
...the summer of 1938. By taking to the road, Daniels was following the lead of a number of writers who set out to see the United States in the midst...
African Americans in Atlanta: Community Building in a New South City
...located east and west of downtown. Although most were common laborers, a small number, perhaps less than ten percent, stood above the masses by virtue of their occupation, education, or...
Hyphenating Waters: A Review of Calypso Magnolia and Island People
...idea, takes center stage in a history of all of the Americas. Understanding what we mean when we say "South," "(circum)Caribbean," or "America" matters as our definitions and limitations directly...
LiFT Art Salon: Hammonds House
...building, our event included four components staged across the footprint of the Hammonds House. The first act featured an exhibit of visual art from the LiFT Art Collective. Curated by Shady,...
St. Augustine's "Slave Market": A Visual History
...sits, hosts monuments for each stage in the city's history, from an 1813 colonial Spanish obelisk, to Civil War cannons, to the 2011 St. Augustine Civil Rights Foot Soldiers Monument....