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MAP IT | Little Dots, Big Ideas: Transforming the Humanities with Geo-Spatial Analysis

...public domain. As the Indian government's recent efforts to regulate that country's maps makes clear, maps are not neutral documents. A declaration form for entry into India distributed to passengers...

A Woman's Work: Jim Crow Modernity and the Remaking of the Carceral State

...Library, Photographic Collection, Special Collections and Archives, Lane Brothers Commercial Photographers Photographic Collection, 1920-1976, digitalcollections.library.gsu.edu/cdm/ref/collection/lane/id/4891. Equally intriguing is Haley's examination of a clemency petition involving Martha Gault, a white woman...

The Dispossessions of Appalachia: A Review of Ramp Hollow

...Appalachian frontier. Stoll likens Appalachia's early settlers to peasants all over the world, who depend on access to a common "ecological base." In the Appalachian instance, this "base" is the...

"Within Thy Circling Pow'r I Stand": Immersive Video from Sacred Harp's Hollow Square

...reaches its conclusion.10"Providence," music by C. Curtis (1820), words by Isaac Watts (1719), in McGraw et al., 298. Two instances of "thunder and lightning" between the tenor and treble parts...

A Well-Tied Knot: Atlanta's Mobility Crisis and the 2012 T-SPLOST Debate

...numbers, vetting projects, and trading horses in an effort that to longtime observers must have seemed a fool's errand. Competition, not collaboration, had long characterized metropolitan relationships and it wasn't...

The Seventeenth Southern Writers Symposium: September 19–20, 2003 at Methodist College, Fayetteville, North Carolina

...up the devout and honourable women, and the chief men of the city, and raised persecution against Paul and Barnabas, and expelled them out of their coasts. The presence here...

Glimpsing Andalusia in the O'Connor-Hester Letters

...was not reading, writing her own fiction, and maintaining close correspondences with O'Connor and Iris Murdoch, is referred to in Fitzgerald's collection as "A." Habit of Being, xiii. This brief essay...

On Native Ground: Indigenous Presences and Countercolonial Strategies in Southern Narratives of Captivity, Removal, and Repossession

...remove white (and sometimes African American) people, are in fact a steady presence throughout pre-1850 southern literature. Though narrated by white Europeans and EuroAmericans, and in a few instances by...

Baptists and Witches: Multiple Jurisdictions in a Muskogee Creek Story

...an instant, and Shirley was quiet. It was three days now since Shirley had begun to die, and everyone knew now and had given up any hope. Even the white...

Revisiting Flaherty's Louisiana Story

...of belief and believability in revisiting Flaherty's Louisiana Story—and their Louisiana. Student Videos and Interviews "Still/Immobile 6 Minutes" "Still/Immobile 6 Minutes," Mercer Hathorn and James Peck, 2006 A film made...

References
1.	Cajun Country, dir. Alan Lomax (Media Generation: 1991). A streaming version of this documentary may be viewed at http://www.folkstreams.net/film,125. For more on the complex and ongoing study and discussion of what constitutes, Creole, Cajun, and the cultural Creolization of southern Louisiana see Nicholas R. Spitzer, "Monde Créole: The Cultural World of French Louisiana Creoles and the Creolization of World Cultures," The Journal of American Folklore 116:459 (2003): 57-72.
2.	Shane K. Bernard, The Cajuns: Americanization of a People (Jackson, MS: University Press of Mississippi, 2003): 86-87.
3.	In our interview with J. C. Boudreaux, he expressed similar mixed sentiments about the benefits and costs of the modernization of Acadiana, as does Carl Brasseaux, Director for the Center of Louisiana Studies at the University of Louisiana at Lafayette in an interview included in one of the Revisiting student projects.
4.	For their part Ellis and McLane choose to argue that classicism rather than romanticism is the best was to characterize Flaherty's work. New History of Documentary Film (NY: Continuum, 2008).
5.	Michael Renov, The Subject of Documentary, (Chicago: University of Chicago Press, 2004).
6.	Ibid., 105.
7.	Jack C. Ellis and Betsy A. McLane, A New History of Documentary Film, (NY: Continuum, 2008): 18.
8.	Ibid., 21.
9.	André Bazin, "Lettre de Sibérie, un style nouveau L'Essai documenté,'" France Observateur. 1958. Reprinted as "Bazin on Marker," trans. Dave Kehr, Film Comment 39:4 (2003): 44-45. In discussing Chris Marker's Letter from Siberia as an essay film, Bazin declares that the word "essay [is to be] understood in the same sense that it has in literature—an essay at once historical and political, written by a poet as well."
10.	Della Pollock, "Making History Go." Exceptional Spaces: Essays in Performance and History (Chapel Hill: University of North Carolina Press, 1998): 11.
11.	Stella Bruzzi, New Documentary: A Critical Introduction (New York: Routledge, 2000): 6.
12.	Brian Rusted, "Re: Visiting Flaherty," Critical review of Revisiting Flaherty's Louisiana Story. Unpublished ms.: Proceedings of the Performance Studies International Conference, Aug. 2008. Forthcoming in Liminalities (http://liminalities.net/).
13.	Jay Ruby, Picturing Culture (Chicago: University of Chicago Press, 2000): 67-93. See also Ruby's "A Re-examination of the Early Career of Robert J. Flaherty", Quarterly Review of Film Studies 5.4 (1980): 431-457.
14.	Mikhail M. Bakhtin, Problems in Dostoevsky's Poetics, trans. and ed. Caryl Emerson, (Minneapolis: University of Minnesota Press, 1984): 73.
15.	Gary Saul Morson and Caryl Emerson, Mikhail Bakhtin: Creation of a Prosaics, (Stanford: Stanford University Press, 1990): 239.
16.	Ibid, 242.
17.	Rusted, op cit. We wish to thank Brian Rusted for his enthusiasm for our project and for his work on understanding documentary as performance, especially his notion of the potential in "reintroducing the performing body" into reading documentary and moving away from the "textual orientation" to documentary practices that has predominated in the history of its theory and criticism.
18.	Helen van Dongen, "Filming Robert Flaherty's Louisiana Story," The Helen van Dongen Diary, ed. Eva Orbanz (New York: Museum of Modern Art, 1998): 43.
19.	Robert Flaherty and Francis Flaherty, Working Title Louisiana Story. Filmscript. Undated. Avery Island, Louisiana: McIlhenny Co. Archives. We thank Shane K. Bernard, Curator of the McIlhenny Archives and scholar of Cajun history and culture, for his generous assistance with this project.
20.	Van Dongen, op cit., 31.
21.	Ruby, op cit., 151-180; 239-279.
22.	Bill Nichols, Blurred Boundaries (Indianapolis: Indiana University Press, 1995): 92-106. To be sure, Nichols' modes of documentary representation are not meant to be strictly chronological, but the concluding section of this chapter of Blurred Boundaries especially aligns the performative mode with the "paradigm shift" of post-modernity (105-06).
23.	André de LaVarre's 'Quaint Folks': Cajuns of the Teche, Columbia Pictures, 1942. The spelling of LaVarre's name varies from film to film made over his long career as travel and sports photographer and filmmaker; information about him may be found at http://www.burtonholmes.org/associates/andredelavarre.html.
24.	Erik Barnouw, Documentary: A History of the Non-fiction Film, second revised edition, (New York: Oxford University Press, 1993): 48-51.
25.	Arnold Eagle, a photographer on assignment for Standard Oil to shoot production stills of Louisiana Story, befriended Flaherty and with his encouragement made the 1949 documentary short, The Pirogue Maker. The film features boatmaker Abdon Allemon, who is depicted making the pirogue used in Flaherty's film. It can be viewed on line at Folkstreams.net. Although a title on Eagle's film conjectures that "It may well have been the last pirogue made in Louisiana," there are, in fact, still a few practicing pirogue-makers. My pirogue was made by the late Raymond Sedotal, whose profile appears on Northwestern State University's Louisiana Folklife Center's website.
26.	Ned Simmons, interview by Patricia Suchy, Jim Catano, and Rob Rombout, Avery Island, LA, October 25, 2006.
27.	Quoted in Paul Rotha, Robert J. Flaherty: A Biography, ed. Jay Ruby (Philadelphia: University of Pennsylvania Press, 1983): 5.