Nostalgia May Not Be the Right Word
Interview Part 2: Morgan reads “Backwater” and discusses his history of coming to terms with his origins Part 3: Morgan reads “Heaven” and discusses the place of nostalgia in his poetry Part...
Jake Adam York Interviews Natasha Trethewey
...Cornell University. He is currently an associate professor of English at the University of Colorado, Denver, where he directs the creative writing program. York has published two books of poetry,...
Jake Adam York Interviews Sandra Beasley
...a PhD in creative writing and English literature from Cornell University. He is currently an associate professor of English at the University of Colorado, Denver, where he directs the creative...
Confederates in Mexico: Lost Cause or New South Vanguard?
Review The defeat of the Confederacy, the prospect of military occupation and Republican state government, and the financial collapse of many plantations and businesses sent a number of white southerners...
Genres of Southern Literature
Introduction Booklover's Map of the United States, 1949. Map by Amy Jones. Courtesy of the David Rumsey Historical Map Collection. Creative Commons license CC BY-NC-SA-3.0. "Southern literature" announces the conjunction...
Undoing the Voting Rights Act
...racial disparity burdens only a small number of minority voters in a small, rural polling place, does the relatively "small" size of the harm argue against a finding of a...
The Crowd He Becomes
...have done it it wouldn't have been alone, he would have had a driver and a man out west to phone in threats to draw the cops away. They'd ease...
Shadows along the Waccamaw
Readings Dan Albergotti reads "The Mystery of the Great Blue Heron." Poem text. Dan Albergotti reads the poem "The Boatloads." Poem text. Dan Albergotti reads the poem "Accidents Happen with...
Renewing Multimedia Scholarly Publishing: A Streamlined and Mobile-Friendly Design for Southern Spaces
...recounting her use of an article on our site in her teaching. Viewing Andrew M. Busch's Southern Spaces article "Crossing Over" on a phone. Screen capture of the new Southern...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...