The "Achilles' Heel" of Jim Crow: A Review of Landscapes of Exclusion
...American Landscape History's "Designing the American Park" series, a collection devoted to exploring aspects of North American park history which, as series editor Ethan Carr explains in the preface, "remain...
Enslaved Labor and Building the Smithsonian: Reading the Stones
...Smithsonian building, known today as "The Castle"? As is well established, enslaved African Americans worked on the construction of many buildings in antebellum Washington, DC, including the US Capitol and...
Telling the Raymond Andrews Story: The Making of Somebody Else, Somewhere Else
...Americans and told of hardships they faced under segregation, Raymond spent as much time telling about the joys and aspirations of his characters as he did the awfulness of the...
Rethinking the Geography of Lynching
...South. Two essays provide interesting case studies of local African American activism against lynching, a vastly understudied topic. Cha-Jua's offers an illuminating account of local black resistance to an 1893...
No Place To Be Displaced: Katrina Response and the Deep South's Political Economy
...Key, Jr., Southern Politics in State and Nation (New York: A. A. Knopf, 1949); Joel Williamson, The Crucible of Race: Black and White Race Relations in the American South (Oxford:...
Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920
Introduction: Shooting the Chutes at Early American Amusement Parks Lakewood Park's Shoot-the-Chutes, Atlanta, Georgia, ca. 1895. "The Shoot-the-Chutes ride at Lakewood Park was originally at the Atlanta International Cotton States...
The Mobility of Faith: Cross Sections of Haitian Religion in Miami
...sense of being worthy of a place in American society; a sense that one's gifts from Haiti are making an important contribution to both the American social fabric and the...
Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida
...pleasures of outdoor leisure. An invisible line along Central had already divided the city into north (white) and south (African American) sides. African Americans moved to St. Petersburg in search...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...
History, Geography, and the New Orleans Tourism Industry: A Review of Bourbon Street
...laterally via competitive forces" (146). This American success myth, described by film scholar Julie Levinson as incorporating "the dream of rags-to-riches, the image of the can-do American, the credo of...