Search for "❤️ Bästa dejtingsajt: www.Dating4Me.site ❤️ Dating In The Dark Youtube Ukulele"

Living Across Borders: Guatemala Maya Immigrants in the US South

...(Maryknoll, New York: Orbis Books, 1999); “Guatemala Peace Accords,” NACLA on the Americas (May/June 1997) http://www.hartford-hwp.com/archives/47/140.html. The initial migration to the United States began during this period of armed conflict....

Whatwuzit?: The 1996 Atlanta Summer Olympics Reconsidered

...tooth-rotting dark sugar water that is such a major portion of the world's diet and Atlanta's income. Stuckey's. That's what it reminds me of, the old chain of stores that...

Collaborative Atlanta Studies Website Gathers Original Scholarship, Research, and Projects on Atlanta

Atlanta Studies website, 2015. Screenshot of Boyd Lewis's photo of Margaret Mitchell's apartment house. Courtesy of Emory News. The website includes Boyd Lewis's original article about living in Margaret...

Anniversary

Readings Jake Adam York reads the poem "Anniversary." Poem text. Jake Adam York reads the poem "Consolation." Poem text. Jake Adam York reads the poem "Darkly." Poem text. Jake Adam...

Stand & Witness: Art in the Time of COVID-19

How To Navigate We’ve arranged Stand & Witness as a guided tour. We recommend that you move through the exhibition according to the numbered tour stops or “hotspots.” To start...

"The Emblem of North American Fraternity": Opossums and Jim Crow Politics

...the spectacle of the bulging-eyed and expectant darky carrying aloft his flaming pine-knot torch, while his lean and lanky dog leads him to the tree where the much prized possum...

The Digital Yoknapatawpha Project

...There is a complementary challenge for the site's users who ultimately ask themselves, "How is this site imagined?" In some ways, our project occupies middle ground between the "real spaces"...

Discursive Memorials: Queer Histories in Atlanta's Public Spaces

...of public affect and ephermerality.1Christopher Reed, "Imminent Domain: Queer Space in the Built Environment," Art Journal 55, 4 (1966): 64-70. Quote from p. 65. Site specific, historically located, and, at...

Loving-Moonlight(ing): Cinema in the Breach

...United States.6"Lifetime Risk of HIV Diagnosis," CDC, February 23, 2016, https://www.cdc.gov/nchhstp/newsroom/2016/croi-press-release-risk.html; "CDC Fact Sheet: Today's HIV/AIDS Epidemic," August 2016, https://www.cdc.gov/nchhstp/newsroom/docs/factsheets/todaysepidemic-508.pdf; Claire Galofaro, "Appalachia Bracing for HIV," U.S. News & World...

References
1.	Eve Kosofsky Sedgwick, Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC: Duke University Press, 2003), 8. Sedgwick's foundational contribution to the field of queer theory was her implicit understanding of the closet-structure and coming-out narrative and how they functioned. Sedgwick understood the closet as a "resilient and productive… structure of narrative" with a firm "hold on important forms of social meaning" both before and since the great gay liberationist movement "began" at Stonewall. See Eve Kosofsky Sedgwick, Epistemology of the Closet (Berkeley: University of California Press, 1990), 67. Like other key thinkers such as Michel Foucault and Judith Butler, Sedgwick understood the "very specific crisis of definition" implicit in binary distinctions like gay/straight, homosexual/heterosexual, black/white, as well as how that crisis is often socially constructed, limiting the possibilities of non-normative subjectivities (72). Such distinctions create hierarchy and the implicit desire on the part of the majority for the minority to be exposed, excavated, and/or transcended. These realities necessitate giving voice. Yet, we can read silence and invisibility as power. Arguably, in Loving and Moonlight, what is unsaid, what is invisible, is represented as equal in power to what is said and shown.
2.	Joe Robberson, "Director Jeff Nichols talks 'Loving,' His relationship With the South & His Muse, Michael Shannon," Zimbio, November 7, 2016, http://www.zimbio.com/Zimbio+Exclusive+Interviews/articles/bqW7H-jZy09/Director+Jeff+Nichols+Talks+Loving+Relationship.
3.	Nichols, a native of Arkansas, has made four previous films: Shotgun Stories (2007), Take Shelter (2011), Mud (2012), and Midnight Special (2016). All of these films are fiction. Loving is Nichols's first film to be rooted in fact.
4.	Virginia was not alone in enforcing such legal holdovers. By the time of the 1967 decision, fifteen other (mostly southern) states (Alabama, Arkansas, South Carolina, North Carolina, Georgia, Mississippi, West Virginia, Missouri, Louisiana, Kentucky, Florida, Texas, Tennessee, Oklahoma, and Delaware) had similar anti-miscegenation laws on the books. While the Supreme Court's federal decision invalidated all of these state laws, it would take until 1998 and 2000 for South Carolina and Alabama, respectively, to amend their state constitutional language on miscegenation.
5.	Moze Halperin, "Playwright Tarell Alvin McCraney Discusses the Piece that Inspired 'Moonlight,'" Flavorwire, October 21, 2016, http://flavorwire.com/592191/playwright-tarell-alvin-mccraney-discusses-the-piece-that-inspired-moonlight. Halperin writes, with "In the Moonlight, which McCraney set in his own home of Liberty City, Florida, the playwright tried to lay out some of his own biographical questions about growing up with a mother grappling with drug addiction, and growing up gay in a neighborhood sequestered by race and class, in a community where his own divergence from masculine norms led him to be classified as Other from a young age. Moonlight writer/director Barry Jenkins likewise grew up in Liberty City—and in the very same public housing unit as McCraney—Liberty Square, though they didn't know each other. His adaptation of McCraney's work combined their diverging and overlapping experiences, and projected them onto the story of a protagonist, who, through the convergence of time and society's all-too-often blanketing perceptions of black manhood, lives as a beautifully unchanging soul housed within three metamorphosed bodies."
6.	"Lifetime Risk of HIV Diagnosis," CDC, February 23, 2016, https://www.cdc.gov/nchhstp/newsroom/2016/croi-press-release-risk.html; "CDC Fact Sheet: Today's HIV/AIDS Epidemic," August 2016, https://www.cdc.gov/nchhstp/newsroom/docs/factsheets/todaysepidemic-508.pdf; Claire Galofaro, "Appalachia Bracing for HIV," U.S. News & World Report, June 5, 2015, http://www.usnews.com/news/us/articles/2015/06/04/appalachia-gripped-by-hepatitis-c-epidemic-bracing-for-hiv.
7.	Richard Goldstein, "'Go the Way Your Blood Beats': An Interview with James Baldwin," In James Baldwin: The Last Interview and Other Conversations (Brooklyn, NY: Melville House, 2014), 59.
8.	Kate Chopin, The Awakening (Chicago and New York: Herbert S. Stone & Co, 1899).
9.	Richie Hoffman, "Sea Interlude: Moonlight," The Missouri Review, 34, no. 4 (2011): 93.
10.	Alex Abad-Santos, "Watch: Mahershala Ali's powerful SAG Awards speech on persecution and acceptance," Vox.com, January 29, 2017, http://www.vox.com/2017/1/29/14433536/mahershala-ali-2017-sag-award-speech-video.
11.	Catherine Filloux, Tarell Alvin McCraney, and Joe Sutton, The Breach. In Katrina on Stage: Five Plays, edited by Suzanne M. Trauth and Lisa S. Brenner (Evanston, Illinois: Northwestern University Press, 2011), 57.
12.	Arica L. Coleman, "What's Fact and Fiction in Jeff Nichols's Film about the Lovings," History News Network, November 14, 2016, historynewsnetwork.org/article/164415.
13.	"Loving for All," Statement by Mildred Loving, June 12, 2007. In Grey Villet, Loving: An Intimate Portrait (New York: Princeton Architectural Press, 2017), 111.
14.	Loving v. Virginia was cited as legal precedent for the Supreme Court's Obergefell v. Hodges decision in which the court saw "the history of marriage is one of continuity and change." See https://www.supremecourt.gov/opinions/14pdf/14-556_3204.pdf.
15.	Lynne Huffer, "The New Normal is Not Good Enough," The Huffington Post, February 2, 2016, http://www.huffingtonpost.com/lynne-huffer/the-new-normal-not-good-enough_b_1895309.html.
16.	Toni Morrison, "No Place for Self-Pity, No Room for Fear," The Nation, March 23, 2015, https://www.thenation.com/article/no-place-self-pity-no-room-fear.
17.	Chauncey Devega, "'Moonlight' and 'Loving': Film as symbolic resistance in the age of Trump," Salon, December 10, 2016, http://www.salon.com/2016/12/10/moonlight-and-loving-film-as-symbolic-resistance-in-the-age-of-trump/.

Search Results for ❤️ Bästa dejtingsajt: www.Dating4Me.site ❤️ Dating In The Dark Youtube Ukulele