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Memphis: Cotton Fields, Cargo Planes, and Biotechnology

...will become a "world-class" city with references to enhancing the dynamics of distribution, promoting a revitalized downtown, building sports arenas, expanding the zoo, redeveloping the riverfront, and promoting the city's...

A Review of Lawrence N. Powell's The Accidental City: Improvising New Orleans

...threw up the first levees. No one had bothered before the floods, Powell dryly points out. “But this was how things went in New Orleans before New Orleans officially became...

Southern Spaces on Hurricane Katrina

...Gulfport, Mississippi, 2005." Southern Spaces, September 1, 2008, https://southernspaces.org/2008/barge-washed-ashore-after-hurricane-katrina-gulfport-mississippi-2005. Moye, Dorothy. "Katrina + 5: An X-Code Exhibition." Southern Spaces, August 26, 2010, https://southernspaces.org/2010/katrina-5-x-code-exhibition. ———. "The X-Codes: A Post-Katrina Postscript." Southern...

Geographies of Hope and Despair: Atlanta's African American, Latino, and White Day Laborers

...life in a region where Spanish-speaking migrants and immigrants are variously welcomed, tolerated, and scorned. In recent years, Latin American immigrants comprised the largest population of new arrivals to Atlanta:...

"Closest to Everlastin'": Ozark Agricultural Biodiversity and Subsistence Traditions

...even know that people elsewhere all over the country was suffering from want." —Donald Harington’s “Vance Randolph” character in Butterfly Weed1Donald Harington, Butterfly Weed (New Milford, CT: The Toby Press,...

Africana Archives: Making Art at the Schomburg

...Rivers, Langston Hughes Lobby, Schomburg Center for Research in Black Culture, New York Public Library, New York, New York, May 22, 2011. Flickr photograph by Matt Kingston. This public art installation...

Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing

...“new style” Sacred Harp promoted by David and Clarke adopted the practice, widespread elsewhere, of opening and closing with prayer. These actions violated the Decorum of the Alabaha River Primitive...

When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras

...in the Urban Church (New York: Oxford University Press, 1994); Bob Darden, People Get Ready! A New History of Black Gospel Music (New York: Bloomsbury, 2004); Anthony Heilbut, Gospel Sound:...

A Conversation with Digital Historians

...have two grindstones. One involves interfacing with a machine in ways that are sometimes difficult and tedious, much like archival work. Sometimes we are wrestling with code and how to...

The South as Foil: A Review of This Is Not Dixie

...Shirt: Terror After the Civil War (New York: Penguin Group, 2008); LeeAnna Keith, The Colfax Massacre: The Untold Story of White Power, Black Terror, and the Death of Reconstruction (New...

References
1.	See George Rable, But There Was No Peace: The Role of Violence in the Politics of Reconstruction (Athens: University of Georgia Press, 1984); Lou Faulkner Williams, The Great South Carolina Ku Klux Klan Trials 1871–1872 (Athens: University of Georgia Press, 1996); Nicholas Lemann, Redemption: The Last Battle of the Civil War (New York: Farrar, Straus and Giroux, 2006); J. Michael Martinez, Carpetbaggers, Cavalry, and the Ku Klux Klan: Exposing the Invisible Empire During Reconstruction (Lanham, Maryland: Rowman & Littlefield Publishers, Inc., 2007); Stephen Budiansky, The Bloody Shirt: Terror After the Civil War (New York: Penguin Group, 2008); LeeAnna Keith, The Colfax Massacre: The Untold Story of White Power, Black Terror, and the Death of Reconstruction (New York: Oxford University Press, 2008); Charles Lane, The Day Freedom Died: The Colfax Massacre, The Supreme Court, and the Betrayal of Reconstruction (New York: Henry Holt and Company, 2008); and Kimberly Harper, White Man's Heaven: The Lynching and Expulsion of Blacks in the Southern Ozarks, 1893–1909 (Fayetteville: The University of Arkansas Press, 2010).
2.	See William D. Carrigan and Christopher Waldrep, eds., Swift to Wrath: Lynching in Global Historical Perspective (Charlottesville: University of Virginia Press, 2013); William D. Carrigan and Clive Webb, Forgotten Dead: Mob Violence Against Mexicans in the United States, 1848–1928 (Oxford: Oxford University Press, 2013); and Michael J. Pfeifer, ed., Lynching Beyond Dixie: American Mob Violence Outside the South (Champaign: University of Illinois Press, 2013)
3.	Campney uses "racist violence" instead of "racial violence" to "underscore the implicit power dynamic: whites used racist violence to 'maintain social control over the black population through terrorism,'" (1). Here he follows Barbara J. Fields, "Whiteness, Racism, and Identity," International Labor and Working-Class History 60 (Fall 2001): 48–56.
4.	In making this argument Campney critiques Nicole Etcheson, Bleeding Kansas: Contested Liberty in the Civil War Era (Lawrence: University Press of Kansas, 2004), 229 and Robert G. Athearn, In Search of Canaan: Black Migration to Kansas, 1879–80 (Lawrence: Regents Press of Kansas, 1978), 75.
5.	"Exodus" refers to the migration of tens of thousands of African Americans from the South to Kansas. See Nell Irvin Painter, Exodusters: Black Migration to Kansas after Reconstruction (New York: W. W. Norton & Company, 1976); Athearn, In Search of Canaan; and Charlotte Hinger, Nicodemus: Post-Reconstruction Politics and Racial Justice in Western Kansas (Norman: University of Oklahoma Press, 2016).
6.	In making this argument, Campney builds on the work of Sundiata Keita Cha-Jua, "'A Warlike Demonstration': Legalism, Armed Resistance, and Black Political Mobilization in Decatur, Illinois, 1894–1898," The Journal of Negro History 83 (Winter 1998): 52–72.
7.	Thomas Frank, What's the Matter with Kansas: How Conservatives Won the Heart of America (New York: Metropolitan, 2004), 179.

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