Search Results for “cheap airline tickets orl to auckland phone number 1-800-299-7264”

Mapping the Muggleheads: New Orleans and the Marijuana Menace, 1920–1930

...cannabis extract. "Marajuana Outlawed," Times-Picayune (New Orleans), July 2, 1924, 15; "Bills Signed by Governor Fuqua," Times-Picayune (New Orleans), July 13, 1924, sec. One-B, 5; "Orleans Parish Lawmakers to Tell...

Katrina + 5: An X-Code Exhibition

...Desire, St. Roch, and Marigny neighborhoods. Neighborhoods in Orleans Parish, February 3, 2004. Map by Joy Bonaguro. Courtesy of the Greater New Orleans Community Data Center. In considering New Orleans...

Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond

...Work and Play in Creole New Orleans," in John Ethan Hankins and Steven Maclansky, eds., Raised to the Trade: Creole Building Arts of New Orleans (New Orleans: New Orleans Museum...

"I Used That Katrina Water To Master My Flow": Rap Performance, Disaster, and Recovery in New Orleans

...April 2, 2013, http://www.nola.com/music/index.ssf/2013/04/bounce_originator_ricky_b_cele.html. Actual airplay for New Orleans rap and bounce on WWOZ, however, remains minimal. "Katrina wiped the palette clean in New Orleans," says Nesby Phips, New Orleans...

"Beer, Prayer and Nellydrama": (Im)Possibilities in Max Vernon's The View UpStairs

...Orleans, but circa 2017, very few people in the general public had heard of the fire.51Ryan Prechter, "Gay New Orleans: A History." Googling for tickets, I saw our future. We...

Music and Mobility on the Streets of New Orleans: A Review of Roll with It

...New Orleans artist Willie Birch, Sakakeeny transports readers to the second line and beyond, to the debates surrounding the production of brass music today. Sakakeeny's ongoing relationships with New Orleans's cultural...

History, Geography, and the New Orleans Tourism Industry: A Review of Bourbon Street

...Emma Lirette, "Category 3 Gentrification: On New Orleans's Population Trends and the Hostility of Internet Commenters," Southern Spaces, April 17, 2013, https://southernspaces.org/blog/category-3-gentrification-new-orleanss-population-trends-and-hostility-internet-commenters. Campanella's characterization of black New Orleanians is as...

Ungesund: Yellow Fever, the Antebellum Gulf South, and German Immigration

...German authors turned to questions of New Orleans as an economically viable port of entry to the American interior. Founded in 1847, the Deutsche Gesellschaft von New Orleans (a German-American...

Dirty Decade: Rap Music and the US South, 1997–2007

...Orleans. Sample from MC T. Tucker & DJ Irv, "Where Dey At," Charlot Records, 1991. This song kicked off the "bounce" genre and catalyzed a conceptual revolution in New Orleans...

References
1.	Matt Miller, "Rap's Dirty South: From Subculture to Pop Culture," Journal of Popular Music Studies 16:2 (2004): 175-212.
2.	Jason Berry, Jonathan Foose, and Tad Jones, Up from the Cradle of Jazz: New Orleans Music Since World War II (Athens: Univ. of Georgia Press, 1986), xiii.
3.	Sara Cohen, "Sounding out the City: Music and the Sensuous Production of Place" in The Place of Music, eds. Andrew Leyshon, David Matless, and George Revill (New York: The Guilford Press, 1998), 287.
4.	Andy Bennett and Richard A. Peterson, eds., Music Scenes: Local, Translocal, and Virtual (Nashville: Vanderbilt Univ. Press, 2004), 7-8.
5.	Martin Stokes ed., Ethnicity, Identity, and Music: the Musical Construction of Place (Providence, RI: Berg, 1994), 4.
6.	Kyra D. Gaunt, The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop. (New York: New York University Press, 2006), 183. See also Roberta Rainwater, "Rhythm, Song Trademarks of '90s Patty-Cake," Times-Picayune, April 26, 1990; "Pizza Pizza Daddy-O" at http://www.folkstreams.net/film,73.
7.	Cheryl Keyes, Rap Music and Street Consciousness (Urbana: University of Illinois Press, 2002), 5; Adam Krims, Rap Music and the Poetics of Identity (New York: Cambridge University Press, 2000), 74-75, 77-78.
8.	Murray Forman, The 'Hood Comes First: Race, Space and Place in Rap and Hip-Hop (Middletown, CT: Wesleyan University Press, 2002), 179.
9.	Ibid., xvii.
10.	Ibid., 170.
11.	Adam Krims, Rap Music and the Poetics of Identity (New York: Cambridge University Press, 2000), 124.
12.	Lawrence B. De Graaf, "The City of Black Angels: Emergence of the Los Angeles Ghetto, 1890-1930,"Pacific Historical Review 39:3 (August 1970): 323-352, 331.
13.	Kelefa Sanneh, "Memphis Bleak," Village Voice (June 20, 2000), 144.
14.	Keith Negus, Music Genres and Corporate Cultures (New York: Routledge, 1999), 19.
15.	Luther Campbell and John R. Miller, As Nasty As They Wanna Be: The Uncensored Story of Luther Campbell of the 2 Live Crew (Fort Lee, N.J.: Barricade Books, 1992), 223.
16.	James Bernard, "Bass 9-1-9," The Source 54 (March, 1994): 40.
17.	Campbell and Miller, As Nasty As They Wanna Be, 22.
18.	J-Mill [Jeremy Miller], "Prince Raheem," The Source 54, (March, 1994): 22 ; Idem, "Bass Game: Clay D Returns to His Roots on His Latest Bass Odyssey," The Source 54, (March 1994): 32-33.
19.	Norman C. Stolzoff, Wake the Town & Tell the People: Dancehall Culture in Jamaica (Durham: Duke University Press, 2000), 19.
20.	Brett Atwood, "Bass Music Rises From South As Acts Seek Majors' Interest," Billboard 106:38 (September 17, 1994): 46.
21.	Janine McAdams, "Let's Talk About Sexism On Recent Raps; Wreckx-N-Effect, Disco Rick, Duice, Dre Revealed," Billboard 105:4 (January 23, 1993): 21.
22.	Roni Sarig, Third Coast: OutKast, Timbaland, and How Hip-Hop Became a Southern Thing (New York: Da Capo Press, 2007).
23.	Joe Nick Patoski, "Money in the Making," Texas Monthly (August 1998): 136.
24.	Ibid.
25.	Forman, The 'Hood Comes First, 330.
26.	Catherine Chriss, "For Houston's Geto Boys, Anything Goes in the World of Gangsta Rap," Houston Chronicle, Texas Magazine section, April 17, 2005.
27.	Patoski, "Money in the Making," 1998.
28.	Ibid.
29.	Sarig, Third Coast, 56.
30.	Kelefa Sanneh, "The Strangest Sound in Hip-Hop Goes National," New York Times, sec. 2, April 17, 2005. (Accessed electronically through LexisNexis Academic on April 13, 2007.)
31.	Ibid.
32.	Kelefa Sanneh, "The Woozy, Syrupy Sound of Codeine Rap," New York Times, sec. 2, April 18, 2005. (Accessed electronically through LexisNexis Academic on 13 April 13, 2007.)
33.	Sarig, Third Coast, 281.
34.	J-Dogg [John Shaw], "Parallels in the Development of Memphis and New Orleans Rap, " Rec.Music.Hip-Hop Usenet Newsgroup, Dec. 9, 1997. (Accessed electronically through Google Advanced Group Search on February 2, 2006.)
35.	Sarig, Third Coast, 272.
36.	Tony Green, "Twerk to Do," Village Voice (Oct. 23, 2001): 149.
37.	Sarig, Third Coast, 103.
38.	Roni Sarig, "Dungeon Family Tree," Creative Loafing (Atlanta), Sept. 18-24, 2003. See also "Additional reporting by Tony Ware," Creative Loafing (Atlanta), September 18-24, 2003.
39.	Sarig, Third Coast, 146.
40.	Sasha Frere-Jones, "The Sound," New York Times, sec. 6, February 8, 2004.

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