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Katrina + 5: An X-Code Exhibition

...Society of the United States SPCA—Society for the Prevention of Cruelty to Animals Codes Elsewhere X-codes have been used in responding to disasters across the country through the years. Informal...

The X-Codes: A Post-Katrina Postscript

The X-Codes: A Post-Katrina Postscript Dorothy Moye, Upper Ninth Ward house with "KEN" marking from private contractor, 2009. It was a late afternoon in June 2006, and I was lost...

Transcript of "When I Say 'Steal,' Who Do You Think Of?": Part Two

...that attempted to return freed slaves to a de facto bondage. Beginning in Mississippi in 1865, these so-called "Black Codes" appeared to grant Black people certain legal rights for the...

Genres of Southern Literature

...for southern literature. This tradition is not without irony, given the other directive that has long governed southern literary study: the emphasis on promoting "internal" or a-historical, non-contingent readings of...

Wanted eLove: Queer Square Spaces and the Revolution in Digital Intimacy

...evolved to include hanky codes, gay bar and bathhouse secret codes, and other gendered and sexualized forms of inclusion or exclusion. In a letter to the editor published in NEWSWEST,...

Dirty Decade: Rap Music and the US South, 1997–2007

...use of imagery has critiqued, promoted, and problematized the idea of the South and its rap music culture. Rap and Place Perhaps the most remarkable dimension of the Dirty South...

The Battle of Atlanta: History and Remembrance

...Lieutenant General John Bell Hood, commander of the Confederate Army of Tennessee. Photographic print. Hood's leadership at Chickamauga won him a promotion to lieutenant general on February 11, 1864, and...

Spectacles of American Nationalism: The Battle of Atlanta Cyclorama Painting and The Birth of a Nation

...of the Atlanta painting, and promoters moved each canvas from city to city for exhibition. At every stop, riggers installed the panorama in a massive rotunda building, a specially designed...

References
1.	Steven E. Woodworth, Nothing But Victory: The Army of the Tennessee, 1861–1865 (New York: Alfred A. Knopf, 2005), 567–568.
2.	Gary Ecelbarger, The Day Dixie Died: The Battle of Atlanta (New York: Thomas Dunne Books/St. Martin's Press, 2010), 213–214.
3.	James M. McPherson, Embattled Rebel: Jefferson Davis as Commander in Chief (New York: The Penguin Press, 2014), 205; Brian Holden Reid, The Scourge of War: The Life of William Tecumseh Sherman (New York: Oxford University Press, 2020), 330.
4.	Carole Emberton, Beyond Redemption: Race, Violence, and the American South After the Civil War (Chicago: University of Chicago Press, 2013), 146, 155, 201; Gregory P. Downs, The Second American Revolution: The Civil War-Era Struggle Over Cuba and the Rebirth of the American Republic (Chapel Hill: University of North Carolina Press, 2019), 136; Leon F. Litwack, "Hellhounds," in Without Sanctuary: Lynching Photography in America, ed. James Allen (Santa Fe, NM: Twin Palms Publishers, 1999), 8–37.
5.	David W. Blight, Race and Reunion: The Civil War in American Memory (Cambridge, MA: Harvard University Press, 2001), 31–97; Caroline E. Janney, Remembering the Civil War: Reunion and the Limits of Reconciliation, (Chapel Hill: University of North Carolina Press, 2013), 73–159.
6.	Chris Brenneman and Sue Boardman, The Gettysburg Cyclorama: The Turning Point of the Civil War on Canvas (El Dorado Hills, CA: Savas Beattie, 2015), 14; Ralph Hyde, Panoramania! (London: Trefoil Publications, 1988), 172.
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10.	Antje Petty, "German Artists—American Cyclorama: A Nineteenth-Century Case of Transnational Cultural Transfer" (presentation, German Studies Association 34th Annual Conference, Oakland, CA, October 7–10, 2010, Oakland, CA), https://mki.wisc.edu/wp-content/uploads/sites/1100/2014/10/Petty_GSA-2010_Panorama.pdf.
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15.	Stephanie McCurry, Women's War: Fighting and Surviving the American Civil War (Cambridge, MA: The Belknap Press of Harvard University Press, 2019), 204.
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23.	Ruth Elizabeth Burks, "Gone With the Wind: Black and White in Technicolor," Quarterly Review of Film and Video 21, no. 1 (2004): 53–73; Jenny Barrett, Shooting the Civil War: Cinema, History and American National Identity (London: I.B. Tauris, 2009), 35; Ellen C. Scott, Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era (New Brunswick, NJ: Rutgers University Press, 2015), 157–160.
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27.	Michael T. Martin, "Revisiting (As It Were) the 'Negro Problem' in The Birth of the Nation," in The Birth of a Nation: The Cinematic Past in the Present, ed. Michael T. Martin (Bloomington: Indiana University Press, 2019), 33–45.
28.	Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism, Revised Edition (London: Verso, 2006), 201.
29.	Anderson, Imagined Communities, 6–7.
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31.	Wilbur Zelinsky, Nation Into State: The Shifting Symbolic Foundations of American Nationalism (Chapel Hill: University of North Carolina Press, 1988), 155.
32.	Elisa Tamarkin, Anglophilia: Deference, Devotion, and Antebellum America (Chicago: University of Chicago Press, 2008), xxvi.
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34.	Heather Cox Richardson, Wounded Knee: Party Politics and the Road to an American Massacre (New York: Basic Books, 2010), 11; Pekka Hämäläinen, Lakota America: A New History of Indigenous Power (New Haven, CT: Yale University Press, 2019), 378.
35.	Clayton D. Laurie and Ronald H. Cole, The Role of Federal Military Forces in Domestic Disorders, 1877–1945 (Washington, DC: US Army Center of Military History, 1997), 145.
36.	Richard White, Railroaded: The Transcontinentals and the Making of Modern America (New York: W.W. Norton, 2011), 431.
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38.	Matthew Frye Jacobson, Barbarian Virtues: The United States Encounters Foreign Peoples at Home and Abroad, 1876–1917 (New York: Hill and Wang, 2000), 42.
39.	William McKinley, Speeches and Addresses of William McKinley, From March 1, 1897 to May 30, 1900 (New York: Doubleday & McClure, 1900), 159–160.
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