Longleaf, Far as the Eye Can See: A New Vision of North America's Richest Forest
...Weymouth Woods-Sandhills Nature Preserve, Southern Pines, North Carolina. Photograph by Beth Maynor Young. Reproduced by permission of the University of North Carolina Press. Once full of diverse plant and animal...
Whatwuzit?: The 1996 Atlanta Summer Olympics Reconsidered
...were portrayed as a contest between competing urges played out across Atlanta's urban and cultural landscape - the South's Confederate past versus a desire to portray the present-day South as...
Call for Submissions: Music and the US South
...the US South, 1997–2007." Southern Spaces, June 10, 2008. https://southernspaces.org/2008/dirty-decade-rap-music-and-us-south-1997–2007. Spitzer, Nick. "Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond." Southern Spaces, November 28, 2011. https://southernspaces.org/2011/creolization-cultural-continuity-and-creativity-postdiluvian-new-orleans-and-beyond....
Ashé: Cultural Arts Cornerstone in New Orleans’ Central City
...Orleans. I fell in love with the Free Southern Theater. I’m running around, going to theater here and there, meeting all of these great people, and discovering how they struggle....
Making Lumbeeland: An Interview with Malinda Maynor Lowery
Southern Spaces: Malinda, tell us about your film Lumbeeland. Why and how did you come to work on this project? Malinda Maynor Lowery: Lumbeeland is a twenty-nine minute short narrative,...
Local Color
...nineteenth century South. And in no respect was the South more different than in its underlying political structures. Both before and after the war, the South had unusual accents and...
Remnants of Flannery
...see a ghost?"10Patricia Yaeger, "Ghosts and Shattered Bodies, or What Does it Mean To Still Be Haunted by Southern Literature?," South Central Review 2, no.1 (Spring 2005): 87. What do...
Ireland’s First Sacred Harp Convention: “To Meet To Part No More”
...South, excluding other populations and environs.5Early scholarship on Sacred Harp singing, beginning with George Pullen Jackson’s White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs,...
Lift Every Voice and Sing: The Quilts of Gwendolyn Ann Magee
...chain, refused to carry the issue: "Some of the images are disturbing—and moving—like quilter Gwen Magee's Southern Heritage/Southern Shame, which depicts five lynching victims hanging in front of a Confederate...
Men at Home: Imagining Liberation in Colonial and Postcolonial India
Prelude: Fragments of Family This book is an essay on men’s existence in the South Asian domestic world, and on their self-contradictory articulation in that world of ideas of freedom,...