The Dirt Eaters
Southern Tradition of Eating Dirt Shows Signs of Waning —headline, The New York Times, 2/14/84 tra dition wanes I read from North ern South: D.C. Never ate dirt but I...
Frank Willis
...I dance in toe shoes to the Beach Boys, in shame. Growing up in Washington I rode D.C. Transit, knew Senators, believed the Washington Monument was God's pencil because my...
Self-Portrait at a Bend in the Road
...stand where the newsmen stood, over that place where the Riders waited in a circle of grace and disbelief, fragile as the surface of a ladle that hears each word....
Like Father
...feel his heartbeat And he cannot hear mine — There is too much flesh between us, Two men in love. Published in Please (Kalamazoo, Michigan: New Issues Poetry & Prose,...
Atlanta's T-SPLOST Referendum and Atlanta Studies
...interdisciplinary, multimedia scholarship on the Atlanta metro region—a collection we have titled "Changing Atlanta." Readers interested in such work might also be interested in the new Atlanta Studies Network, which...
Open Access Week: The HathiTrust Ruling and Fair Use
...Federal District Judge of the Second District of New York, handed down his decision in The Authors Guild, Inc. v. HathiTrust. HathiTrust is a digital repository in partnership with over...
The Bulletin—September 21, 2012
The Bulletin compiles news from in and around the US South. We hope these posts will provide space for lively discussion and debate regarding issues of importance to those living...
Visualizing Spatial History: The Example of Rio de Janeiro
Presentation Part 2: Frank provides an overview of the Stanford Spatial History Project Part 3: Frank discusses creating visualizations that evoke patterns and varieties of spatial mobility, consciousness, and power...
Art, Diaspora, and Identity: The John Biggers Papers
...of Africa, in the development of people, in that which is true and good." Biggers believed Ampofo embodied "the New Africa," linking the continent's past with its future through his...
Glocal Lounge
...1980s, challenges the dominant "fictions of globalization" (such as the global village) and instead uses local and regional sources to produce new narratives and geographic imaginaries by which to historicize...