American and British Slave Trade Abolition in Perspective
American and British Slave Trade Abolition in Perspective Part 2: Davis discusses connections between enslaved African labor, trans-Atlantic trade, and emerging anti-slavery movements Part 3: Davis discusses three major factors...
Wild Notes: A Review of Dawoud Bey’s Elegy
...phenomenon that “troubles the distinctions between joy and sorrow and toil and leisure."5Saidiya Hartman, Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America, Revised and Updated Edition (New York:...
James Holland, Riverkeeper: Environmental Protection along the Altamaha
Essay Nancy Marshall, Moon over Darien River, Georgia, 2010. I have a story about a crab that started a movement. It is about a river that is stunning in its...
Winslow Homer and the American Civil War
Presentation Part 2: Wood details the history of Winslow’s painting, “Near Andersonville.” Part 3: Wood explains Homer’s possible motivations for painting “Near Andersonville Part 4: Examining soldiers in the painting, Wood offers a...
When the Border Crossed Me
...not enough acknowledge. Since then, I've studied Spanish formally, gone to graduate school, engaged in fieldwork in Mexico and Central America, written about farmworkers, and made films about immigration and...
"Our Country"—Benjamin E. Wise's William Alexander Percy
...place with regard to cultural understandings of sexuality. Specifically, homosexuality emerged as social identity. Before the 1890s in Europe and America, homosexuality was by and large thought of as an...
Brushes with War
...1670 through the Stono Rebellion (New York: Alfred A. Knopf, 1974), Strange New Land: Africans in Colonial America (New York: Oxford University Press, 2003), and three recent books on black...
Eggleston's South: "Always in Color"
...She is the author of A Nation of Outsiders: How the White Middle-Class Fell in Love with Rebellion in Postwar America (New York: Oxford University Press, 2011) and Making Whiteness:...
Making Lumbeeland: An Interview with Malinda Maynor Lowery
Southern Spaces: Malinda, tell us about your film Lumbeeland. Why and how did you come to work on this project? Malinda Maynor Lowery: Lumbeeland is a twenty-nine minute short narrative,...
On Native Ground: Indigenous Presences and Countercolonial Strategies in Southern Narratives of Captivity, Removal, and Repossession
Introduction Map of Major Indian Tribes in the "South,"circa 1750 I borrow only my title from Alfred Kazin's 1942 study On Native Grounds, an influential reading of modern American prose...