The Digital Yoknapatawpha Project
...hot spots are categorized by page number and the user can specify a range of pages that will restrict the map's details and move through the events of those pages....
The Bulletin—July 24, 2012
...ranchers sold nearly 36,000 head of cattle last week, triple the number from a few weeks ago. The Arkansas River Basin has been hit especially hard, which is evident in this map...
Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond
...Gras day 2006.8Jon Pareles, "Mardi Gras Dawns With Some Traditions in Jeopardy," The New York Times, February 28, 2006. http://www.nytimes.com/2006/02/28/arts/music/28pare.html. In so doing, the "Indians," one of Carnival’s most creolized...
"Holding on to Those Who Can't Be Held": Reenacting a Lynching at Moore's Ford, Georgia
...earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7. I have been...
African Americans in Atlanta: Adrienne Herndon, an Uncommon Woman
...to portray all the heroic feminine characters of Shakespeare." (Boston Traveler, January 25, 1904). From her childhood in Savannah, through her drama studies in Boston and New York, Adrienne held...
The Bulletin—November 15, 2012
...country remains dominant in a number of southern states. Remarking on the similar results of the 2008 presidential election in his Southern Spaces piece "The US South and the 2008...
Discursive Memorials: Queer Histories in Atlanta's Public Spaces
...visual media.8Ibid. 28, 78–82, 121–133. Still from Andy Warhol's Lonesome Cowboys, 1968. Image depicts Taylor Mead, Joe Dallesandro, and Eric Emerson. Andy Warhol Lonesome Cowboys, 1967–68 16mm film, color, sound,...
"Our Country"—Benjamin E. Wise's William Alexander Percy
...William Faulkner. Among a host of contributions to any number of scholarly debates, Wise's crisp and clear articulation of Percy's views of love and sexuality will attract the attention of...
Brushes with War
...Winslow Homer. Courtesy of the Portland Museum of Art, 1992.41. Near Andersonville, 1866. Oil on Canvas by Winslow Homer. Courtesy of the Newark Musem, 66.354. Prisoners from the Front, 1866....
The Future of Slavery's Historical Spaces
...for a number of months at Arlington House, explained that visitors sometimes took her aside to ask in hushed tones, "Were there really slaves here?" She also observed that some...