Taming Southern Waters: Christopher J. Manganiello’s Southern Water, Southern Power
...of modernization in the Savannah River basin as a series of conflicts over water resource development. It is a history of "building new working, living, and leisure environments," (12) of the...
Longleaf, Far as the Eye Can See: A New Vision of North America's Richest Forest
...as much on quick regrowth, harvest, and processing of timber as were the lumber and paper companies. Aesthetic and environmental values are important management objectives for some of these newer...
Rethinking the Geography of Lynching
...activists. Others, as exemplified in Lynching Beyond Dixie, have researched lynching outside the South. Historians of the West have long studied vigilantism, but new scholarship on lynching draws connections between...
A Turning Point for Richmond: The Virginia Historical Society's Civil War Exhibition
...reaction are here, aromatic, pungent, old and new, and the old and new blended into one what is both old and new. This is not a city of one aspect."...
Reframing Resistance: A Review of Freedom Now!
Review I remember well seeing Charles Moore's fire hose photographs from Birmingham in my hometown newspaper, the Louisville Courier-Journal. Six-years old in 1963, I had little understanding of the day's...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...
The Liminal Site
...Absalom! In William Faulkner, Novels 1936–1940, ed. by Joseph Blotner and Noel Polk (New York: Library of America, 1990), 111. Edward O. Wilson claims we are hardwired to want to live...
Slavery's Traces: In Search of Ashley's Sack
...the newly opened Smithsonian National Museum of African American History and Culture (NMAAHC) in Washington, DC. Evidently a seed sack made of unbleached cotton fabric dating to the mid-nineteenth century,...
Segregation's Habits and Horrors: The Photographs of O. N. Pruitt
...hooks, Art on My Mind: Visual Politics (New York: The New Press, 1995), 57. For most Black and white community photographers, local demands and conventions of circulation limited the reach...
Oak Ridgidness: Lindsey Freeman’s Longing for the Bomb
...York: Vintage Books, 2005); Richard Rhodes, The Making of the Atomic Bomb (New York: Simon and Schuster, 1986); Richard G. Hewlett and Oscar E. Anderson, The New World, 1939–1946: A...