Bioregional Approach to Southern History: The Yazoo-Mississippi Delta
...of the United States (Ogden, UT: US Department of Agriculture, Forest Service, 1978), 1–2, Appendix 2; WWF, "Ecoregions," http://www.worldwildlife.org/science/ecoregions/item1847.html (accessed December 1, 2009); David M. Olson et al., "Terrestrial Ecoregions...
Dixie Destinations: Rereading Jonathan Daniels's A Southerner Discovers the South
...the summer of 1938. By taking to the road, Daniels was following the lead of a number of writers who set out to see the United States in the midst...
African American Community Building in Atlanta: A Guide to the Study of Race in America
...opportunity would open. Ironically, Black business in Atlanta thrived on the crest of segregation. Whether in personal services that were a carry-over from slavery, or in life insurance in service...
Mardi Gras Indian, New Orleans, Louisiana, 2010
Blues in the Lower Chattahoochee Valley
...Album, 1–2. In 1825, with the signing of the infamous Treaty of Indian Springs between the United States and the Creek Nation, the way was opened for the forced final...
James Holland, Riverkeeper: Environmental Protection along the Altamaha
...minute by minute. The air was diaphanous with salty mist, like a veil. A finger of white sand reached out from Little St. Simons Island as if to calm the...
The "Achilles' Heel" of Jim Crow: A Review of Landscapes of Exclusion
...State Commission of Forestry. Courtesy of Black and white negatives of South Carolina State Parks, 1934–1967 collection, Open Parks Network, Clemson University and National Park Service. By the late 1930s,...
Carolina's Caribbean Origins: A Review of Hubs of Empire
...Anglophone Caribbean's plantation zone. The founding of a settlement that became Charleston, South Carolina, by a group of planters from Barbados in the 1670s functions as the analytical core of...
The Poetics of Rescue and Resilience: A Conversation with Jericho Brown on The Selected Shepherd
Introduction: The Selected Shepherd: A “Fair, Just Place” Let us live beyond the here and now by nurturing each other and supporting one another’s works.—Assotto Saint, “Why I Write”1Assotto Saint,...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...