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Landscapes and Ecologies of the US South: Essays in Eco-Cultural History

...of the US4James O. Breeden, "Disease as a Factor in Southern Distinctiveness," in Disease and Distinctiveness in the American South,1st ed., ed. Todd Lee Savitt and James Harvey Young (Knoxville:...

Memphis, Tennessee images

Memphis, Tennessee: The Mississippi River In the distance is the Interstate 40 Mississippi River Bridge. The "bridge" entering the picture from the upper right is actually the tramway that runs...

Nashville, Tennessee images

Nashville, Tennessee: Renovation, War Memorial Building Opened in 1927, Nashville's War Memorial Building is part of the State Capitol Complex. Tourists and Legends Corner, Lower Broadway Legends Corner bills itself...

Sams Gap, North Carolina

Tennessee Governer, Ned McWhirter, at the dedication of the Tennessee portion of I-26, Just west of Sams Gap, NC, 1995. Photo courtesy of Rob Amberg. Highway traffic exiting I-26 in...

Seeds of Rebellion in Plantation Fiction: Victor Séjour's "The Mulatto"

...the War and Since the War, ca. 1880. Chromolithograph by Krebs Lithographing Company, Cincinnati, Ohio. Courtesy of the Library of Congress Prints and Photographs Division, loc.gov/pictures/item/91721220. This lack of human...

From Arkansas with Love: Evangelical Crisis Management and Southern (White) Gospel Music

...Numbers," CCM Update, March 29, 1999; and Lindy Warren, "Top 15 Impact-Makers in 1997," CCM Update, December 22, 1997. The only subgenre of white Christian music that remains relatively strong...

Call for Submissions: Music and the US South

...Roscoe Halcomb During the Folk Revival." Hanson, Bradley. "The Tennessee Jamboree: Local Radio, the Barn Dance, and Cultural Life in Appalachian East Tennessee." Southern Spaces, November 20, 2008. https://southernspaces.org/2008/tennessee-jamboree-local-radio-barn-dance-and-cultural-life-appalachian-east-tennessee. Matthews,...

Mapping the "Big Minutes": Visualizing Sacred Harp's Geographic Coalescence and Expansion, 1995–2014

...Alabama, Florida, Tennessee, Mississippi, and Texas during the second half of the nineteenth century, participation in Sacred Harp has been tied to local, church, and kinship networks.1George Pullen Jackson, White...

References
1.	George Pullen Jackson, White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs, Singings, and "Buckwheat Notes" (Chapel Hill: University of North Carolina Press, 1933); Buell E. Cobb, The Sacred Harp: A Tradition and Its Music (Athens: University of Georgia Press, 1989); David Warren Steel, The Makers of the Sacred Harp (Champaign: University of Illinois Press, 2010).
2.	John Bealle, Public Worship, Private Faith: Sacred Harp and American Folksong (Athens: University of Georgia Press, 1997); Kiri Miller, Traveling Home: Sacred Harp Singing and American Pluralism (Champaign: University of Illinois Press, 2008).
3.	Jesse P. Karlsberg, "Folklore's Filter: Race, Place, and Sacred Harp Singing" (Ph.D. dissertation, Emory University, 2015), http://pid.emory.edu/ark:/25593/pgtds; Ellen Lueck, "Sacred Harp Singing in Europe: Its Pathways, Spaces, and Meanings" (Ph.D. dissertation, Wesleyan University, 2016).
4.	For examples and analysis of Sacred Harp singers' negotiation of the "old-fogy" label, see George Pullen Jackson, The Story of The Sacred Harp, 1844–1944: A Book of Religious Folk Song as an American Institution (Nashville, TN: Vanderbilt University Press, 1944); Hugh W. McGraw, "'There Are More Singings Now Than Ever Before': Hugh McGraw Addresses the Harpeth Valley Singers," Sacred Harp Publishing Company Newsletter 2, no. 3 (December 31, 2013), http://originalsacredharp.com/2013/12/31/there-are-more-singings-now-than-ever-before-hugh-mcgraw-addresses-the-harpeth-valley-singers; Karlsberg, "Folklore's Filter," 105–12.
5.	Editors of today's "Big Minutes" repeat the received history that the book originated as the minutes pamphlet of the Alabama State Sacred Harp Musical Convention, based in Birmingham, Alabama. However, minutes pamphlets in the collections of Winston County, Alabama, singers Roma Rice and Margaret Keeton, and the Carrolton, Georgia, Sacred Harp Museum, suggest that this Winston County-centered publication was the precursor to today’s “Big Minutes”; continuities in printer, editor, and singings between a set of 1930s and early 1940s minutes pamphlets for a group of singing conventions centered in Winston County, Alabama, and pamphlets published beginning in 1945 titled Minutes of the Alabama-Tennessee Sacred Harp Singing Conventions, and, after 1954, titled Minutes: Alabama, Mississippi and Tennessee Sacred Harp Singings, indicate a shared lineage.
6.	To access this database or order a print copy of the contemporary "Big Minutes," see Judy Caudle, et al., eds., "Minutes and Directory of Sacred Harp Singings," Fasola.org, http://fasola.org/minutes/.
7.	On the FaSoLa Minutes app, see Clarissa Fetrow, "There's an App for That: A Review of the 'FaSoLa Minutes' App," Sacred Harp Publishing Company Newsletter 3, no. 2 (November 12, 2014), http://originalsacredharp.com/2014/11/12/theres-an-app-for-that-a-review-of-the-fasola-minutes-app/.
8.	Mark T. Godfrey created this dataset for the FaSoLa Minutes app and with Jesse P. Karlsberg supported Robert A. W. Dunn's research augmenting the data with precise locations. Godfrey's original dataset features enhancements to the SHMHA data and excludes 740 singings using other Sacred Harp editions and related shape-note books. These singings were initially excluded to ensure that page numbers included in the minutes reliably indexed specific songs in The Sacred Harp. The exclusions also improve the representativeness of the minutes, which feature nearly all annual singings from The Sacred Harp: 1991 Edition, but relatively few singings from other tunebooks, which typically disseminate their minutes through other publications.
9.	Most secretaries include the names of buildings where singings are held, but others give names of larger institutions or campuses with multiple potential venues. A handful of singing minutes feature no specific location, instead providing just a city or town and county. Other minutes include a city or town but no county, or a county but no municipality.
10.	On the social context of the increasing number of singings from the 1991 Edition in Texas since the 1990s, see Karlsberg, "Folklore's Filter," 118–24.
11.	The South Georgia Convention, a network of a dozen singings from the 1991 Edition centered around Macon and extending south to Cordele, Georgia, continues to publish an annual minutes pamphlet, even as its sponsored singings increasingly submit minutes to the "Big Minutes."
12.	For more on this process and a collection of research drawing on the expanding Sacred Harp minutes database, see "Sacred Harp Minutes: Querying Sacred Harp's Sonic Past through the Minutes of Sacred Harp Singings, 1945–2016," 2017, http://fasolaminutes.org/.

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