Southern Memory, Southern Monuments, and the Subversive Black Mammy
|Part 1. Wallace-Sanders frames the question of memorializing mammies with images of the real women who were obscured in discussions of monuments to the mammy figure. She comments on a series of photographs of African American women with white children, moving through the images as she speaks.|
|Part 2. Wallace-Sanders explores the Lost Cause desire for a monument to the black mammy figure. She discusses the Faithful Slave Monument in Fort Mill, SC, and the Confederate Monument at Arlington National Cemetery, which she compares, along with other mammy statues, to "Forever Free," a sculpture by Sargent Johnson. She addresses 1911 plans for the Black Mammy Memorial Institute in Athens, GA, slated as a monument and domestic training school for African-Americans.|
|Part 3. Wallace-Sanders examines two texts that complicate the idealized notion of mammy as faithful retainer. "Mammy, A Story" from The Crisis presents a mammy turned killer by her grief over the loss of her own child. Charlotte Perkins Brown's "Mammy, An appeal to the heart of the South" calls for white women to honor mammies not with monuments but better working conditions and wages.|
|Part 4. Wallace-Sanders looks at artists' responses to mammy memorialization. Two 1923 political cartoons directly address national mammy memorial proposals: one using the memorial discussion to call for anti-lynching laws and the other to call for fair wages and working conditions. The Black Arts Movement also pushes against the idealized black mammy figure, particularly Joyce Scott's Mammy/Nanny series. These images present a subversive mammy figure. She ends the lecture by silently showing the photographs she began with. (See the slideshow after Part 1.)|
|Wallace-Sanders responds to questions about the photographs she uses, the proposed Mammy Memorial Institute, the political responses to the proposed mammy memorial in Washington DC, and the mammy figure within Lost Cause discourse.|
Black Mammy Memorial Institute. The Black Mammy Memorial or peace monument, Athens, Georgia. Athens, GA: Banner Printery, ca. 1910. Located in the Manuscripts, Archives, and Rare Books Library at Emory University.
Brown, Charlotte Hawkins. An Appeal to the Heart of the South; and The Correct Thing to Do--To Say--To Wear. New York: G.K. Hall, 1995.
Johnson, Joan Marie. "Ye Gave Them a Stone": African American Women's Clubs, the Frederick Douglas Home, and the Black Mammy Monument." Journal of Women's History 17.1 (2005): 62-86.
Lefalle-Collins, Lizzetta. "Memories of Mammy." Art and the Performance of Memory: Sounds and Gestures of Recollection. Ed. Richard Cándida Smith. New York: Routledge, 2002.
McElya, Micki. Clinging to Mammy: the Faithful Slave in the Twentieth Century. Cambridge, MA: Harvard University Press, 2007.
Mills, Cynthia. "Commemorating the Color Line: the National Mammy Monument Controversy of the 1920s." Monuments to the Lost Cause: Women, Art, and the Landscapes of Southern Memory. Ed. Cynthia Mills and Pamela H. Simpson. Knoxville, TN: University of Tennessee Press, 2003.
Turner, Patricia A. Ceramic Uncles & Celluloid Mammies: Black Images and Their Influence on Culture. New York: Anchor Books, 1994.
Wallace-Sanders, Kimberly. Mammy: A Century of Race, Gender, and Southern Memory. Ann Arbor, MI: University of Michigan Press, 2007.
The Mammy Project
The Mammy Project is a touring theatrical work written and performed by Michelle Matlock, that explores the stereotype and myth of mammy in contemporary United States culture.
"The Mammy Caricature." The Jim Crow Museum of Racist Memorabilia. Ferris State University.
"The Mammy Charicature" is an article about uses of the mammy figure, written by Dr. David Pilgrim.