Dirty Decade: Rap Music and the U.S. South, 1997-2007
Matt Miller, Emory University
Essay Sections:
Introduction | Rap
and Place | The Rap Map Unfolds | Rap Scenes and Styles | Marketing | Dirtiness Defined | Dirtiness in Southern Rap | Get Crunk |
Visual Culture | Conclusion | Notes| Recommended Resources
Rap Scenes and Styles of the South:
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City Sections:
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Memphis:
The rap scene in Memphis developed gradually over the late 1980s and early 1990s. Cool K's 1986 "I Need Money" is reputed to be the city's first recording, and formed part of the early scene along with club DJs like Soni D and Spanish Fly. The first local rap record to receive radio play was the 1989 song "Ain't Nothing like the Bass" by W-Def. Many of the rappers to emerge from Memphis have been tied to South Memphis and the Orange Mound neighborhood, the city's oldest African American community. The lyrical and philosophical perspective of Memphis-based rappers is often described as "dark and menacing," qualities that could just as easily be linked to the haunting Delta Blues that once flourished in the area, as to the bleak economic circumstances faced by many Memphians in this majority African American city.33 Memphis' history as a center for black popular music in the Southeast helped it achieve some degree of rap prominence, but the city was not positioned to compete with larger regional centers like Houston, Miami, New Orleans, or Atlanta.
The Memphis rap scene began to take off in the early 1990s, when a local dance craze began based around samples from the 1986 song "Drag Rap" by the New York group The Show Boys (also highly influential in New Orleans). As one commentator notes, "the song was probably the driving force behind a dance which . . . spread throughout Memphis and the surrounding area, [and] became known as the 'gangsta walk.'"34 Releases by artists such as SMK, Romeo, and Gangsta Pat (who soon became the first Memphis-based artist to secure a deal with a major label) were spawned from this trend, which kicked off a decade of significant Memphis scene development. Memphis-based Select-O-Hits, a distributor with roots stretching back to the 1970s, handled many of these releases regionally, and the company continued to be an important resource in later years. |
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| Advertisement for La Chat CD, (2001, Koch). | |||
In 1992, Memphis rap was still largely self-contained and unknown in wider circles, a fact which led the city's top rap act, 8Ball & MJG, to depart for greener pastures in Houston with Suave House label owner Tony Draper. Other early- to mid-1990s artists such as Al Kapone and Kingpin Skinny Pimp formed points around which the local scene grew. Several of these artists recorded for local independent On The Strength. Their popularity was further fueled by frequent appearances on mixtapes released by local DJs like DJ Squeeky, "an Orange Mound DJ who got his start spinning at the neighborhood's Club Memphis."35 Another pair of mixtape DJs, DJ Paul and Juicy J, began producing original material using local rappers, eventually forming a crew called Triple Six Mafia (later Three 6 Mafia). This group, led by DJ Paul and Juicy J and featuring male rappers Lord Infamous, Project Pat, and the female rapper Gangsta Boo, became known for compositions featuring "spare, low-BPM rhythms, simplistic chants . . . and narcotically repetitive, slasher-flick textures," features which were instrumental for the emergence of the crunk style.36 Their first releases came out on their own Prophet Records, but with independent success, Three 6 Mafia signed with Sony's Relativity, and in late 1997 released their first record under the new arrangements. In 2000 they changed their label's name to Hypnotize Minds. With releases by the group and protégés like Project Pat, Three 6 Mafia came to be the most successful Memphis rap enterprise during this decade.
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Memphis landmarks on advertisement for 2003 Three 6 Mafia release (Sony). |
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Audio Samples:
ATTENTION: Some of these audio samples contain explicit content.
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SMK, "Da Gangster Walk" (1991 Brutal Records) (20 sec.) This song by rapper/producer SMK instructs listeners on the dance and associated style of music that took Memphis by storm in the late 1980s. RealMedia | Windows Media | QuickTime |
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Three 6 Mafia, "Hit a Muthafucka" (1997 Relativity) (20 sec.) The work of Memphis' best-known rap group is marked by extreme imagery and sonic constructions that figured centrally in the "crunk" style's emergence. RealMedia | Windows Media | QuickTime |
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Kingpin Skinny Pimp, "Where Ya From?" (2000 Basix Records) (20 sec.) In this excerpt the rapper lists a variety of labels, cliques, and places related to the Memphis rap scene. RealMedia | Windows Media | QuickTime |
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Project Pat featuring La’ Chat, "Chickenhead" (2001
Relativity) (20 sec.) Project Pat and La Chat engage in a humorous exchange of insults between the sexes. RealMedia | Windows Media | QuickTime |
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Essay Sections:
Introduction | Rap
and Place | The Rap Map Unfolds | Rap Scenes and Styles | Marketing | Dirtiness Defined | Dirtiness in Southern Rap | Get Crunk |
Visual Culture | Conclusion | Notes| Recommended Resources
