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Blues in the Lower Chattahoochee Valley
Steve Bransford, Emory University
Essay Sections:
George Mitchell Audio Interview Excerpts:
(Click on stills or titles to play interview clips. Real
Player, broadband and external speakers required.)
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J.W. Warren , recorded in Ariton,
AL 1982 (17:45 min.)
(Clip courtesy George Mitchell and Fat
Possum Records)
J.W. Warren discusses some of his songs and influences, including
his spoken word version of "Corrinna" and his love for
Hawaiian music (which he developed while stationed in the Philippines).
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Warren was born in 1921 in Enterprise, Alabama.
In a family of eleven children, he was the only one to take up
music,
starting at the age of fifteen or sixteen. He entered the military
as a young adult and served for 14 years. While stationed overseas
with the military in 1947, he won first prize in a music contest.
After serving, he entered farming and began to play blues at barbeques
and house parties in southeast Alabama. He notes, "I came
up the hard way, I hadn't had no break whatsoever...I was born
in the
wrong part of the world and, then again, I didn't go no place to
do any better...I got stuck here, and so, this is my home, seeming
I can make it better here than I can any place elsewhere."
Like many lower Chattahoochee blues artists, he cites Blind Boy
Fuller as a key influence. |
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Jim Bunkley, recorded in Geneva,
GA 1969 (5:49 min.)
(Clip courtesy of George Mitchell and Fat
Possum Records)
Bunkley discusses his life, music and brief work in a medicine show
in Southwest Georgia.
Born in 1911 in Talbot County, Jim Bunkley
started playing music when he was eight years old. He had four brothers
and four sisters, all of whom played some form of music. An early
influence on Bunkley was Blind Lemon Jefferson. |
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Green Paschal , recorded in Talbotton, GA 1969
(4:45 min.)
(Clip courtesy of George Mitchell and Fat
Possum Records)
Paschal was born around 1927 in Talbotton,
Georgia and started playing music sometime in the 1950s. He "used
to play for the white people at the frolic". He comments: "I
used to play nothing but the blues before I joined the church...I
joined the church about fifteen years [ago] and I quit playing
blues...Good old church songs, these old-fashioned songs, I likes
'em...I
don't
like these jumped up songs that people sing now...I believe in
the old way, I just like old songs, the spirit of those old songs.
Now
those songs that they sing now, they're all right, them that want
to sing 'em, they good, I like to hear 'em singing, but it ain't
for me..." |
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Albert Macon and Robert Thomas
( 2:43 min.)
(Clip courtesy of George Mitchell and Fat
Possum Records)
Recorded in Society Hill, AL in the early 1980s. |
Robert Thomas was born in 1929, Albert
Macon in 1920. Both grew up in Macon County, Alabama. Thomas began
playing blues guitar when he was nineteen or twenty, learning under
Albert Macon. The two played together consistently until Macon died
in 1993. |
Bud Grant, recorded in Thomaston, GA in 1969
(5:30 min.)
(Clip courtesy of George Mitchell and Fat
Possum Records)
Grant discusses making his first guitar from
a poplar tree and playing "frolicking" dance music at
neighborhood parties. He started playing blues in 1940," learning
to play from listening to records." Grant also notes, "I
can play a little rock 'n' roll myself now, but I always fancy
blues
the most." |
Unknown Blues Artist, possibly
recorded in 1969 (4:45 min.)
(Clip courtesy of George Mitchell and Fat
Possum Records)
Although the identity of this artist remains
unknown, his story contributes to the musical history of the region.
He was born in 1928 and grew up in Talbotton, GA. He started playing
guitar when he was nine years old; some of the early blues tunes
that he learned "came from Blind Boy Fuller." At the end
of the clip, he demonstrates "The Buck", an instrumental
tune that was played at neighborhood parties. "The Buck"
sounds similar to Precious Bryant's " Georgia
Buck".
Note: This recording contains some distortion. |
Essay Sections:
Published: 16 March 2004
© 2004 Steve Bransford and Southern
Spaces
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